A Quote by Heather Headley
I remember coming into 'The Lion King' and, oh forgive me Lord, but doubting it. The way that musicals are put together, we're kind of exclusive of each other. And so somebody's working on this in one room, and somebody's working that in the other room. I did not understand how all this was going to come together.
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I remember, when Paul Collingwood first came into the dressing room, we did everything together. We practised together, trained together, had dinner together; we batted together and did well in games together - we were thick as thieves. When he got established, he just binned me.
What's great is when you're working with somebody with whom you have a connection, it's exciting because there's a shorthand and you trust each other and you have a good time together on the set and so you can go a little farther than you might normally because you're with somebody that you trust.
There are big problems that change the world. If we are working together, that will make us understand each other, appreciate each other, help each other.
Oh, I really miss Grover yaar. Sunil and I have known each other for long even before we started working together on 'Comedy Nights With Kapil' or 'TKSS' and our bonding and chemistry reflected on-screen when we worked together. We have partied a lot together.
While directing in theater that the actors will - I don't know if it's competitiveness or what it is, but they love to make each other laugh. They love to impress each other in rehearsal. They'll try something for a reaction. But in film, you're very often not all together in the room at the same time. You're shooting one day, somebody else is shooting the next. It's a totally different dynamic.
When the Stranger says: "What is the meaning of this city? Do you huddle close together because you love each other?" What will you answer? "We all dwell together To make money from each other"? or "This is a community"? Oh my soul, be prepared for the coming of the Stranger. Be prepared for him who knows how to ask questions.
It used to kind of upset me when I'd be working on a part in my hotel room, and I'd get an idea for a song and find myself on the guitar for an hour when I should be working on my lines. But I've discovered that when I start to shake up my creativity it wants to be expressed in all kinds of different ways. They all kind of inform each other.
And on top of that, when we work together we have a wonderful working relationship we push each other we challenge each other we laugh 80% of the time that we are together we're very fortunate.
A well-run city lets millions of people come together and enjoy the benefit they can get from working together and trading with each other.
You do have all five sense when you're in a room together. You communicate and understand each other in a much deeper way. It is a different form of communication from writing or being on the web.
When you're trying to enter something as intimidating as comedy, starting out with a support network of likeminded people is a powerful thing. It was natural we'd end up working together because we went through those first petrifying moments together. We created gigs for each other, slapped each other on the back, and protected each other.
If people work together in an open way with porous boundaries - that is, if they listen to each other and really talk to each other - then they are bound to trade ideas that are mutual to each other and be influenced by each other. That mutual influence and open system of working creates collaboration.
The best way to break down that fear is to spend time with somebody, put yourself in somebody else's shoes, understand what the other person is going through.
The intellect searches out the Absolute order of things as they stand in the mind of God, and without the colors of affection. The intellectual and the active powers seem to succeed each other, and the exclusive activity of the one generates the exclusive activity of the other. There is something unfriendly in each to the other, but they are like the alternate periods of feeding and working in animals; each prepares and will be followed by the other.
The last page of [Lincoln in the Bardo] - without giving too much away - involves somebody entering somebody else. Not in a sexual way. But it says one of the simplest things you could ever say, which is that we must try and be inside each other. We must have some kind of feeling for each other and enter into each other's experience.
You know, in Hollywood you know when somebody is getting pregnant. It's supposed to be this beautiful scene: the rays are coming in and you have these beautiful perfect bodies lying on top of each other and there's the room glowing in one person's eyes and the sun coming up over the other person's shoulder.
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