A Quote by Heather Headley

I toured with Andrea Bocelli, went to London to do a show for a year in the West End. — © Heather Headley
I toured with Andrea Bocelli, went to London to do a show for a year in the West End.
I'd love to work with Michael Buble, with Tony Bennett, with Damian Marley, with Andrea Bocelli.
I'm ready to do something with Lady Gaga or Andrea Bocelli. I'm really grateful that nothing is out of the realm of possibility.
You're now getting a new breed of people like Il Divo and Andrea Bocelli and I think that's why people feel less intimidated by classical music than they once did.
Constantly, I've been asked to make a sequel to 'Beckham.' However, I thought a West End show was the proper way to go. Once we made the show, I wanted to make sure that I embraced the West End genre rather than just put the film on stage.
I came to London. I spent nine months doing domestic work and gardening because I knew I wanted to get a West End show. So, when I was offered jobs in Stoke or Leicester or whatever, I'd say no. Eventually, I got 'Godspell.' It was gently building.
We've played with Black Flag, Bad Brains, Minor Threat, The Ramones. You name any punk band and we've probably played or toured with them all the way up to and including Soundgarden, who we've toured with three times now. We also toured with Metallica for a year. But yeah, Megadeth was the only one we were a little sketchy about because um, it was a little sketchy.
I was a very young 21-year-old. I was very scared. I spent three years at university in west London, and I went into central London three times. I came from Shropshire, and just having travelled that far was enough ambition.
But to me, Broadway has always had more a 'village' feeling than London's West End. The theaters here are clustered together, the staff and many people in the business know each other - it's like a little village all to itself, whereas in London everything is more spread out.
Yes, I was born in London because my dad was closing out the West End version of Miss Saigon' there.
I was born in London. I moved to New Zealand when I was really young; I can't remember London. My parents went and did what was supposed to be a one-year O.E. (overseas experience) that turned into a 9 year O.E. and they had two kids.
Actually, if I had to do it over [leaving the show the West Wing], I'd do the same thing, because lost in the shuffle of it is that Aaron [Sorkin] left the same year I did. And I would not have wanted to be on The West Wing with somebody else writing it.
I grew up in west London, but my dad wouldn't let me go to school there, so I went in south London.
Unfortunately we just toured the East and West coasts so we didn't run into any rednecks.
I grew up in London. My parents and I lived in West Norwood, then we moved to Norbury, and I went to the Brit School. I'm a South London girl at heart.
My perspective was: yes, I've worked before in London, but, my God, I've never done a musical in the West End and I see myself as someone who's predominantly known for TV, so can I prove my worth?
The Monica Lewinsky scandal was happening at the very time I was writing the West Wing pilot and it was hard, at least for Americans, to look at the White House and think of anything but a punch line. Plus a show about politics, a show that took place in Washington, had just never worked before in American television. So the show was delayed for a year.
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