A Quote by Heather Mac Donald

Any female who thinks that she needs a female in front of her in order to learn as much as she can, or to envision a career in a particular field, has declared herself a follower rather than a pioneer - and a follower based on a characteristic irrelevant to intellectual achievement.
If any female feels she need anything beyond herself to legitimate and validate her existence, she is already giving away her power to be self-defining, her agency.
The new female is competent in all that she chooses. She chooses whatever her heart tells her. She can create a business, lead a country, drive a truck, hammer nails, deliver mail, or raise a family. She is at home in every social and physical environment. She can be a housewife, if she chooses. She can be anything else, too. She is intuitive and heart centered. She is all that a female has been, and more.
A woman needs someone she can trust, someone who laughs when she laughs, but who has different ideas so she can learn from and teach to them. She needs someone who will stand up with her and encourage her to be a woman-not just a female. See where you are, admit what you know, and what you need, and search for a sister friend.
I have a friend who actually told me that she'd rather be dead than be fat. This is a woman who, if I order a sandwich at lunch, she'll order a salad. If I order a salad, she'll order half a cantaloupe. If I order half a cantaloupe, she'll order a cup of coffee. This bizarre contest continues until she's down to sucking on a mint-flavored toothpick. At this rate, her preference for dying over being fat could be a reality sooner than she thinks.
The song "This Is Not Surreal," was inspired by a painter I love, Frida Kahlo. She really did suffer for her art. She speaks to me. She was brutally honest in her work. At that time in fine art, you really didn't see many female artists expressing that. She was such a strong female presence, and I really look up to her. She had a lot of physical pain.
Never miss an opportunity to allow a child to do something she can and wants to on her own. Sometimes we're in too much of a rush--and she might spill something, or do it wrong. But whenever possible she needs to learn, error by error, lesson by lesson, to do better. And the more she is able to learn by herself the more she gets the message that she's a kid who can.
The new female is not limited in any way. She yearns to give the gifts she was born to give, and she does what is necessary to give them. Where her heart leads, she goes. No one defines her role for her. She is on a spiritual journey. Authentic Power is her destination.
Charity never lacks what is her own, all that she needs for her own security. Not alone does she have it, she abounds with it. She wants this abundance for herself that she may share it with all; and she reserves enough for herself so that she disappoints nobody. For charity is perfect only when full.
He thinks about her, at this moment, in her house, a few thin walls away, packing her life into boxes and bags and he wonders what memories she is rediscovering, what thoughts are catching in her mouth like the dust blown from unused textbooks. He wonders if she has buried any traces of herself under her floorboards. He wonders what those traces would be if she had. And he wonders again why he thinks about her so much when he knows so little to think about.
I found her lying on her stomach, her hind legs stretched out straight, and her front feet folded back under her chest. She had laid her head on his grave. I saw the trail where she had dragged herself through the leaves. The way she lay there, I thought she was alive. I called her name. She made no movement. With the last ounce of strength in her body, she had dragged herself to the grave of Old Dan.
She has form," he said to himself, as he walked away through the grove - "that cannot be denied to her; but has she got feeling? I am afraid not. In fact, she is like most artists; she is all style, without any sincerity. She would not sacrifice herself for others. She thinks merely of music, and everybody knows that arts are selfish. Still, it must be admitted that she has some beautiful notes in her voice. What a pity it is that they do not mean anything, or do any practical good.
Michelle Kwan is an incredible artist, she wears her heart on her sleeve when she performs. She has grown so much from every influence in her career, and she has made herself the biggest star there ever will be in figure skating. She's down to Earth, friendly and always positive. Nobody will ever match her longevity or her ability to be such a strong competitor.
Sydney discovers that she minds the loss of her mourning. When she grieved, she felt herself to be intimately connected to Daniel. But with each passing day, he floats away from her. When she thinks about him now, it is more as a lost possibility than as a man. She has forgotten his breath, his musculature.
Stephanie Izard. She is extremely talented but super-humble at the same time. And she was the first female Top Chef. I remember cheering her on when she competed. At that time I just started in my culinary career. Watching her cook was very inspiring.
She emptied herself of Fabio and of herself, of all the useless efforts she had made to get where she was and find nothing there. With detached curiosity she observed the rebirth of her weaknesses, her obsessions. This time she would let them decide, since she hadn't been able to do anything anyway. Against certain parts of yourself you remain powerless, she said to herself, as she regressed pleasurably to the time when she was a girl.
She didn't have to be offered anything; it was already hers. She was more herself than anyone else ever was and as soon as I clapped eyes on her I knew I wanted to be myself just as much as she was herself.
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