A Quote by Heather Mac Donald

European operetta and German singspiel provided the American musical its combination of spoken dialogue and song; the inclusion of dance traced a lineage to French baroque opera. But what a difference!
Musical theater is an American genre. It started really, in America, as a combination of jazz and operetta; most of the great musical theater writers in the golden era are American. I think that to do a musical is a very American thing to me.
My grandmother was German. She didn't teach any of her children German. She really wanted them to be American. And now, she's since passed away, I get so frustrated sometimes. I'm like, "Oh, Oma, why didn't you teach your kids German?" My dad would have spoken German to me from birth, and I would have spoken German.
Not unless I do all these ancient and Italian or French or Baroque in the beginnning, I do German.
I'm involved with a baroque opera company here in Italy. I write some of their booklet material, comments on operas. I also write for some baroque opera festivals because this music is my real passion.
From a German point of view, German-American and European-American relations are a pillar of our foreign policy.
It seems to me that the American popular song, growing out of American folk music, is the basis of the American musical theater… it is quite legitimate to use the form of the popular song and gradually fill it out with new musical content.
Most, actually, German actors have like some speaking of French. So, the French wasn't the problem. But, I was having a problem with them doing my dialogue in English. And it wasn't a matter of fluency.
I studied classical opera, so I was always singing in Italian and German and French.
European countries simply do not have the ideological framework the United States has in the shape of the 'American dream' that has helped to absorb successfully wave after wave of immigration to the States, including Muslim Americans who are well integrated into American society. There is no analogous French dream or German dream.
It's quite a famous story that takes place on Christmas Eve, and the Germans, French, and Scottish are trying to make peace one night and they bury their dead and they play football. I play a German opera singer, in German, which I never have so I am really excited about that.
An operetta is simply a small and gay opera.
I'm not a lukewarm European. I know that the German-French friendship is indispensable, no matter who the countries' leaders are.
Most of our American musical heritage is based on European models, but the folk hymns and spirituals are one of the most fertile and unique of our American musical traditions.
When you translate the American writers who are best with dialogue into German - someone like Elmore Leonard, or Tom Wolfe, who's also quite good with dialogue. It's very hard to translate them well.
We Indians are musical- and dance-minded people. If a child is born or on a wedding, birthday, we dance. But when a song starts unreasonably, it irritates me.
Trade protectionism has an American lineage dating back to the Founders; that lineage is distinct from white nationalism.
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