A Quote by Heather Morris

I carry one black mascara and one brown. — © Heather Morris
I carry one black mascara and one brown.
Black liner looks harsh on me because I'm so blond, so I do a brown liner with a black mascara. My favorite is 'L'Oreal Voluminous' on my top and bottom lashes. For a while, I only did mascara on the upper lashes, but it makes me look too pretty.
My experience is that white kids love hip-hop, and brown and black kids love rock music. That shows that brown kids - they carry emotion, they carry pain, they carry oppression and strife.
If envy is red and doubt is black then happiness is brown. I looked from the little brown stone to the tiny brown freckle to her huge brown eyes.
I use the 'Too Faced Chocolate Bar Eye Shadow' Palette every day. I've tried a bunch of stuff, but this is my favorite. For eyebrows, I use the 'Anastasia Beverly Hills Dipbrow' Pomade in Dark Brown, and for mascara, I don't use anything else but 'Urban Decay Perversion' Mascara.
I like a kind of dark, bronze-y brown smoky eye with maybe some mascara, some contouring and stuff, but I don't like wearing black or pinks. I like it more tonal.
For makeup, I swear by a base of Embryolisse, Nars concealer, that Bobbie Brown foundation stick, Pat's highlighter, a brow fill-in with dark brown eyeshadow and angle brush, a groom with Anastasia brow gel, an eyelash curl, and two swipes of drugstore mascara.
White-on-black shootings evoke America's history of racism and so carry an iconic payload of menace. Black-on-black shootings carry no such payload, although they are truly menacing to the black community. They evoke only despair.
Republicans in the South... are trying to find ways, not so much to block black and brown people from voting, but to block black and brown people from getting people they want elected, which is a far more subtle thing to do.
Mascara can definitely be one of the hardest parts of the beauty routine. Nothing is worse than when you are applying your mascara, and you've worked an hour on the most flawless blended eye shadow, and with one slip of the finger, your mascara is all over your face.
I am pretty standard, the way I dress, but matching the belt to the shoe - you know, brown belt, brown shoe, black belt black shoe - that's completely out of the window! I had no idea.
I don't see myself a Great Black Hope. I'm just a golfer who happens to be black and Asian. It doesn't matter whether they're white, black, brown or green.
New Orleans invented the brown paper bag party - usually at a gathering in a home - where anyone darker than the bag attached to the door was denied entrance. The brown bag criterion survives as a metaphor for how the black cultural elite quite literally establishes caste along color lines within black life.
Iron and coal dominated everywhere, from grey to black: the black boots, the black stove-pipe hat, the black coach or carriage, the black iron frame of the hearth, the black cooking pots and pans and stoves. Was it a mourning? Was it protective coloration? Was it mere depression of the senses? No matter what the original color of the paleotechnic milieu might be it was soon reduced by reason of the soot and cinders that accompanied its activities, to its characteristic tones, grey, dirty-brown, black.
I can't have brown hair for some reason. I don't think it goes with my skin tone. The second I see it turn brown in the sun, I dye it black - the blacker the better.
Your shoes have to match your belt. That's rule number one for guys. You can't put the brown shoes with the black belt. Or a brown belt with a black wristwatch. Just don't do it! Also, I don't like boots with suits. And when you wear sneakers, make sure they go with your shirt.
Syd Barrett of Pink Floyd was the first person in rock I had seen with makeup on. He wore black nail polish and lots of mascara and black eye shadow, and he was so mysterious. It was this androgynous thing I found absolutely fascinating.
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