A Quote by Heber J. Grant
When I was about forty-three years of age, I had a private secretary with a beautiful baritone voice. I told him I would give anything in the world if I could only carry a tune. He laughed and said, 'Anybody who has a voice and perseverance can sing.'
Related Quotes
Switch to piano! No. Really, if you like an instrument that sings, play the saxophone. At its best it's like the human voice. Of course, it would be best if you could actually sing with your own voice. The saxophone is an imperfect instrument, especially the tenor and soprano, as far as intonation goes. Therefore, the challenge is to sing on an imperfect instrument or 'voice' that is outside of your body. I love that challenge and have for over forty-five years. As far as playing jazz, no other art form, other than conversation, can give the satisfaction of spontaneous interaction.
Do I look like I have anything ?" I asked him, in a reasonable voice. He looked as unnerved as the nurse had. He said, "Sorry," and backed away. I took a step after him. I screamed, "I HAVE NOTHING!" And then I said, in a perfectly calm voice, "See, I never had anything to start with.
I would love to have a chat with Michael Jackson. For the sole purpose of seeing if he has a deep voice or not. A lot of people say he actually had a deep baritone, but then on TV he always had the high pitched squeaky voice. I would love to spend some time with him.
But if I could do anything? Maybe you would want to be able to save the world, the Voice said. Did you ever think of that? No. I frowned. Leave that to the grown-ups. But grown-ups are the ones destroying the world, the Voice said. Think about it.
I thought everybody had falsetto. And since I wasn't a schooled singer who studied with anybody, I just thought anybody who had a voice could do anything they wanted with their voice.
Peter stood, cleared his throat, and began to hum softly, then sing, slowly building up the song as his voice cleared. He found the old tune, the song of the Sunbird. And as he sung, as his rich voice echoed off the tall cliffs, the birds and the faeries lent him their voice and soon the tune drifted throughtout the garden.
At Julliard we had some voice classes. It was really just so you could carry a tune. It always just helps with your speaking voice also, when you connect your diaphragm and your breath.
I had known that people would probably have strange reactions to my voice, because I have kind of an unwieldy, difficult voice, but I never thought that anybody would have a problem with the harp. I just assumed... C'mon, it's a beautiful instrument.
I remember someone once saying, "Pete, you know you really should take voice lessons." And I said, "Well, if I could find any voice teacher that could teach me to sing like Lead Belly I'd spend every cent to study under him." But every time you'd go to a voice teacher, he'd teach you to warble, as if you'd want to be an opera singer, and that's not what I'm interested in.
Beautiful songs could sometimes take a person out of themselves and carry them away to a place of magic. But when Jill sang, it was not about the song, really. She could sing the phone book. She could sing a shopping list. Whatever she sang, whatever the words or the tune, it was so beautiful, so achingly lovely, that no one could listen and be untouched.
We're always being told 'find your voice.' When I was younger, I never really knew what this meant. I used to worry a lot about voice, wondering if I had my own. But now I realize that the only way to find your voice is to use it. It's hardwired, built into you. Talk about the things you love. Your voice will follow.
I would think, of all the saxophones, the baritone would be the most logical instrument if anybody was adding a voice to the symphony orchestra.
I knew that I could sing when I was young. I would listen to a lot of jazz; I'm a big jazz fan. When I first got to high school and studied musical theater, I could sing. But I added certain things to my voice, and I realized after graduating high school that this is the kind of voice I had. It's not very nimble, but it's heavy.
My voice gets recognized before anything else. It's always gotten attention. In choruses at church and school, I started as a tenor, moved to a baritone and finally became a bass. I knew then that my voice would be my instrument. Now if I want to hide, I just keep my mouth shut.
No one ever told me I had a good voice or anything; no one ever told me I could sing. They just let me get on with it.
There are times when the voice of repining is completely drowned out by various louder voices: the voice of government, the voice of taste, the voice of celebrity, the voice of the real world, the voice of fear and force, the voice of gossip.
Related Authors
Aiden Wilson Tozer Quotes
American
Priest
Billy Graham Quotes
American
Priest
Charles Spurgeon Quotes
British
Priest
Gordon B. Hinckley Quotes
American
Priest
Henri Nouwen Quotes
Dutch
Priest
Henry Ward Beecher Quotes
American
Priest
Joel Osteen Quotes
American
Priest
John C. Maxwell Quotes
American
Priest
John Piper Quotes
American
Priest
Max Lucado Quotes
American
Priest
Pema Chodron Quotes
American
Priest
Pope Benedict XVI Quotes
German
Priest
Pope Francis Quotes
Argentinian
Priest
Rajneesh Quotes
Indian
Priest
Swami Vivekananda Quotes
Indian
Priest
Thomas S. Monson Quotes
American
Priest