Composers most identified with the chamber music form are Corelli, Vivaldi, Haydn, Mozart, Beethoven, Schubert and, of course, Bach. Of course, Bach. If there is any one composer who gives us reason and emotion, it is Bach.
There is nothing like a Bach fugue to remove me from a discordant moment... only Bach hold up fresh and strong after repeated playing. I can always return to Bach when the other records weary me.
I played a lot of Bach's partitas and sonatas; I like the way that Bach was abstracting already from these dance forms.
I think that Bach has a very nice sound on the lute. But I find that what I want to do with Bach is best revealed on the guitar.
If all the music written since Bach's time should be lost, it could be reconstructed on the foundation which Bach laid.
Although I don't believe in God, Bach's music shows me what a love of God must feel like.
One of the tracks that I have is Carl Philipp Emanuel Bach - by the way, that's Bach's second son - Emanuel Bach's variations on "Le Folie." You'll definitely hear - I mean, I think if we listen to, say, the last couple of minutes of that track, there's a wide range of colors that the harpsichord is capable of. And I think, you know, that gives lie to the assumption that it doesn't have that kind of variety. And I think it very much speaks for itself.
Bach's music is really some of the greatest. I think, in some ways, Bach is the most profound composer of all.
And it totally has transformed my relationship with someone like, say, Bach. You know, Bach is born 330 years ago but, you know, gosh, he really is alive.
Yes, I mean like you know, having studied with Yehudi Menuhin that is like some direct route into Bach, because he was one of the foremost interpreters of Bach for the violin.
If Beethoven is a prodigy of man, Bach is a miracle of God.
If there is anyone who owes everything to Bach, it is certainly God.
Whenever you study composition you inevitably encounter Bach right off the bat. You can't get across the room without running into him and the other greats. Analyzing Bach absolutely influenced my jazz playing.
When we play an unaccompanied Bach suite we may compare ourselves to an actor in Shakespeare's day, creating scenery which did not exist at all, through the power of declamation and suggestion. So in Bach. There is but one voice -- and many voices have to be suggested.
Music is for people to hear, I can't think of anything else it could be for. Unless you believe in God, and I don't think God really would be all that interested. I'm sure when Bach wrote for the greater glory of God, he really didn't think that God was going to sit down at breakfast and listen to his cantatas. I think he meant for higher purposes than earning a living.
God listens to Bach while the angels listen to Mozart.