A Quote by Hector Elizondo
Yes, and it's my third movie with Richard. American Gigolo was my first.
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I have a Prius, but I'd love to have a white convertible like Richard Gere's in 'American Gigolo.'
In film, I was surprised when I first saw the movie 'Drive.' I said, 'Oh, God. It sounds great - I love it. Wow, this could be the soundtrack from 'American Gigolo' or 'Cat People.' But I'm surprised that the director would agree with a composer to write that kind of sound.
Nobody has ever denied that when it comes to his trade - gigolo - John Forbes Kerry is one of the all-time greats. He's in the Gigolo Hall of Fame. See, a really good gigolo might snag one heiress in a lifetime with a nine-figure trust fund. Kerry has married two. When it comes to gigolos, he's Steve Jobs.
Richard, might I ask you something? We've talked tonight of what you must do, of what you can do, of what you ought to do.But we've said nothing of what you want to do.Richard, do you want to be King?" At first, she thought he wasn't going to answer her. But as she studied his face, she saw he was turning her question over in his mind, seeking to answer it as honestly as he could. "Yes," he said at last. "Yes...I do.
'Diary of a Teenage Girl' was my first American movie. It was my first movie in an American accent. It's based on a graphic novel, which was written in 2002 by someone called Phoebe Gloeckner. It was turned into a play by Marielle Heller, who then wrote it as a screenplay for Sundance Labs.
'The Dark Knight,' 'The Rocketeer' and definitely the first 'Superman' movie by Richard Donner are the best. I tend to be softer in my judgment about what's a bad movie - I don't think anyone intends to make a bad movie, and sometimes it just doesn't click for some reason.
I think of Terrence Malick's movie Days of Heaven - one of Richard Gere's first movies - you can push pause on almost any image in the movie and it looks like a painting.
I remember seeing Richard Pryor's first movie; it was a midnight movie when I was in high school. I must have been about fifteen. It was one of the most cathartic experiences of my life. I'd never laughed that much.
Once you get one actor to say yes, that leads to a second, and the third yes leads to a fourth - there's a kind of comfort zone that occurs where each actor realizes, 'You're not selling this movie on me, so if it totally doesn't work, then its not all on my head.'
Most American Hispanics don't belong to one race, either. I keep telling kids that, when filling out forms, they should put "yes" to everything - yes, I am Chinese; yes, I am African; yes, I am white; yes, I am a Pacific Islander; yes, yes, yes - just to befuddle the bureaucrats who think we live separately from one another.
I think one third of my work is with first-time directors because I think I should, you know? Really, the difference between a first-time director and a second- or third-time director - I mean there's no director who makes enough movies anyway - but if they're talented, they have it. And there is no movie that is perfect.
I have a rule now that I can only watch a movie twice. By the third time I was watching 'The Guest,' I was hating everything about it, but the first time, I loved it. The first time you watch it, you watch it as a whole. And the second time, I think you can learn a lot. By the third time, you are just picking everything apart.
I turned down 'American Gigolo.' There are many films - like 'Ghostbusters' - that I turned down... The first one I did was 'Foul Play' with Goldie Hawn, but I turned down 'Animal House' - I turned that down.
The irony is that we're really good at comedy in Britain, but for some reason, we make very few comedy films. And when we do, they're either quite American in style, or very Richard Curtis. And I like Richard Curtis, but I think only Richard Curtis should write Richard Curtis films, and other people should try and find their own style.
My love for American music and American movies is from an early age. I was 10 or 11 when I heard Fats Domino and Little Richard and Buddy Holly. And the movies, my dad used to take my brother and I to the movies every Friday. It was incredible: we got to see just about every movie that came out for a period of years.
I think there's a danger that some people look at the success of my first movie as a fluke. So I want to make sure that my second film is an even bigger success. Then if I direct my third movie and it's terrible, it'll be okay.
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