A Quote by Hector Elizondo

I think you can tell the human condition better through comedy. — © Hector Elizondo
I think you can tell the human condition better through comedy.
The writers are writing human beings, and they're writing about the human condition and how difficult it is to function in that condition. I think it's one of the charms of the show, the idea of redemption and working towards becoming better people, for everybody involved.
I think that if there's one key insight science can bring to fiction, it's that fiction - the study of the human condition - needs to broaden its definition of the human condition. Because the human condition isn't immutable and doomed to remain uniform forever.
I think you can give meaning to any condition; you can be poor or unsuccessful or be so-called successful. But I don't think that it would give an individual human being a better condition.
I think that there's a fine line between comedy and drama. I think that ultimately, the less winking that's going on when you're doing comedy - and this is just my own thing, and maybe it's why I've never been hired in comedy except by Bill Lawrence - but I think that the less winking you do with comedy, the better off you are.
The human condition comprehends more than the condition under which life has been given to man. Men are conditioned beings because everything they come in contact with turns immediately into a condition of their existence. The world in which the vita activa spends itself consists of things produced by human activities; but the things that owe their existence exclusively to men nevertheless constantly condition their human makers.
I want people to see the beauty of that condition through the eyes of the characters. In doing that, they can allow people who have the condition to be more accepting of it, and to be open about it. That would be a contribution to the people who have it, and considering that 38% of the Pulitzer Prize winning poets are Bipolar, to think about how much these individuals have contributed to the human spirit.
A rap is a tweaked version of comedy, because comedy came first. People weren't spitting before they were doing comedy. Comedy has been relevant for years. It's the same art form, pretty much. Discovering that and applying it, I think that has made my stand-up better.
If I laugh a couple of times a day, I'm doing good. People think it's their God-given right to be happy, and it's just not. It's something you've got to work at. I like to paint the human condition, and the human condition is not smiles and happy people.
I love doing comedy. You don't get many good comedy scripts. They're rare. But, I do love playing comedy. Even in drama, I like to try to find the humor because I think it's very human.
The business of fiction is the study of the human condition, and gender is something that many humans are obsessed with, thus making it rather difficult to ignore when studying the human condition!
I happen to believe in the human condition so strongly that I don't have to make up games to play with people. Here's what I think: If it's good, let's go for it. If it needs work to be better, let's work on it.
The human comedy is always tragic, but since its ingredients are always the same - dupe, fox, straight, like burlesque skits - the repetition through the ages is comedy.
The human condition is the human condition, and what we try to do is illuminate the human condition.
A good song deals with the human condition, and the truth of the human condition.
I think music is a lifting force, I think love is the lifting force in the human condition. I think you see someone loving on their child, and it moves you, and you can't help it. It rings a bell inside of us that elevates us as human beings, and I treasure that. I think it's one of the few great things about human beings.
We are naive and moralistic women. We are human beings who find politics a blight upon the human condition. And do not know how one copes with it except through politics.
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