A Quote by Hector Tobar

I write, fighting for every sentence, fighting to hold the reader with every paragraph. — © Hector Tobar
I write, fighting for every sentence, fighting to hold the reader with every paragraph.
What is easy to read has been difficult to write. The labour of writing and rewriting, correcting and recorrecting, is the due exacted by every good book from its author, even if he knows from the beginning exactly what he wants to say. A limpid style is invariably the result of hard labour, and the easily flowing connection of sentence with sentence and paragraph with paragraph has always been won by the sweat of the brow.
Every fight, I'm fighting blind opponents. I don't know who it's going to be, who I'm fighting, if I'm really fighting them.
I count it a high honor to belong to a profession in which the good men write every paragraph, every sentence, every line, as lovingly as any Addison or Steele, and do so in full regard that by tomorrow it will have been burned, or used, if at all, to line a shelf.
Since I do seven different styles of martial arts, I don't foresee myself fighting the same in any two movies. I think every fighting style should fit the character that's doing the fighting.
The secret of good writing is to strip every sentence to its cleanest components. Every word that serves no function, every long word that could be a short word, every adverb that carries the same meaning that’s already in the verb, every passive construction that leaves the reader unsure of who is doing what—these are the thousand and one adulterants that weaken the strength of a sentence. And they usually occur in proportion to the education and rank.
I huff and puff and struggle with every sentence, paragraph and page - sometimes every word as well.
Whether you are fighting for the title or fighting at the bottom, you are always professional and want to win every game.
Now we have blacks and whites fighting, reds and yellows fighting, Democrats and Republicans fighting, men and women fighting.
What I have in advance are people I want to write about and a problem or problems that I see those people encountering and that I want to explore - it all proceeds sentence by sentence, paragraph by paragraph, and scene by scene.
Trying to take a feeling from one language, and express it in another is naturally that's my goal. You can't possibly achieve that in a perfect way because there's so many things you have to take into consideration. You know, think about every word, every sentence, every paragraph, and do what you can.
Fighting terrorism is not unlike fighting a deadly cancer. It can't be treated just where it's visible - every diseased cell in the body must be destroyed.
When people start writing there is this idea that you have to get everything right first time, every sentence has to be perfect, every paragraph has to be perfect, every chapter has to be perfect, but what you're doing is not any kind of public show, until you're ready for it.
Writing is linear and sequential; Sentence B must follow Sentence A, and Sentence C must follow Sentence B, and eventually you get to Sentence Z. The hard part of writing isn't the writing; it's the thinking. You can solve most of your writing problems if you stop after every sentence and ask: What does the reader need to know next?
But fighting to give women and girls a fighting chance isn’t a nice thing to-do. It isn’t some luxury that we get to when we have time on our hands to spend. This is a core imperative for every human being in every society. If we do not continue the campaign for women’s rights and opportunities, the world we want to live, the country we all love and cherish, will not be what it should be.
When people start writing there is this idea that you have to get everything right first time, every sentence has to be perfect, every paragraph has to be perfect, every chapter has to be perfect, but what youre doing is not any kind of public show, until youre ready for it.
The first paragraph of my book must get me my reader. The last paragraph of a chapter must compel my reader to turn the page. The last paragraph of my book must ensure that my reader looks out for my next book.
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