A Quote by Hedda Sterne

My idea being that for the sublime and the beautiful and the interesting, you do not have to look far away. You have to know how to see. — © Hedda Sterne
My idea being that for the sublime and the beautiful and the interesting, you do not have to look far away. You have to know how to see.
The back windows looked out over the fields, then the Atlantic, maybe a hundred yards away. Actually, I'm just making that bit up. I had no idea how far away the sea was. Only men could do things like that. "Half a mile." "Fifty yards." Giving directions, that sort of thing. I could look at a woman and say "Thirty-six C." Or "Let's try it in the next size up." But I had no idea how far away Tim's sea was except that I wouldn't want to walk to it in high heels.
I keep thinking of Robert Stone making the distinction between the word sublime and the word beautiful. He described being in a battle as sublime. Because even though people were dying, it was such a huge sensory experience that it became sublime.
Do you know I don't know how one can walk by a tree and not be happy at the sight of it? How can one talk to a man and not be happy in loving him! Oh, it's only that I'm not able to express it...And what beautiful things there are at every step, that even the most hopeless man must feel to be beautiful! Look at a child! Look at God's sunrise! Look at the grass, how it grows! Look at the eyes that gaze at you and love you!
The truth is, I'm a character guy. That's how I see myself. I always see the role as being far more interesting and important than I am... not all actors approach it that way.
I don't really know why an idea comes to me. But all of a sudden, an idea comes and from experience I can intuit what something means when an interesting line pops up. Or I can intuit what an interesting choice might be. And I can try a couple of different choices, and see which one feels right, and then continue the song to see where it goes.
Scientists normally like to do experiments. You know, they like to mix this with that and see what happens. They like to take this thing and poke it and see how it reacts. In astronomy, we can't do that. The stars, the planets, the galaxies, are so far away that we just look at them, and we have to learn things by looking at them.
The story man must see clearly in his own mind how every piece of business will be put over. He should feel every expression, every reaction. He get far enough from his story to take a second look at it... to see whether there is any dead phase... to see whether the personalities are going to be interesting and appealing to the audience. He should also try to see that the things that his characters are doing are of an interesting nature.
Beautiful is what we see, More Beautiful is what we know, most Beautiful by far is what we don't
If you look at it, the corset is a very beautiful item, but when I put one on, I realized how little you could actually move. And I'm a very physical person: I talk with my hands. And I felt how the clothes took that away from me. And that was the idea, I think. It was a way of limiting women.
It would be great to continue shooting on film. Amongst other things, the mystery of not knowing exactly how it's going to look until we see it later and having your DP and being able to trust in him that he's the holder of how this is going to look is a beautiful mystery of filmmaking I'm loathe to look up.
The Nike Fuel Band is interesting - it measures your movements and how far you've walked and how hard you've worked that day. I prefer using when I travel. It's a fun way to see how far I've walked - how many steps I've taken when I'm walking around different cities.
How far away is Heaven? It is not so far as some imagine. It wasn't very far from Daniel. It was not so far off that Elijah's prayer and those of others could not be heard there. Men full of the Spirit can look right into heaven.
Most of the things that really matter require faith. 'How do I know that my wife loves me?' 'How do I know that Mozart's 'Jupiter Symphony' is sublime and beautiful?' There are all sorts of things which come at a more lowly level than that - 'How do I know that two plus two equals four?' There are different layers, different types of knowing.
Most of the things that really matter require faith. How do I know that my wife loves me? How do I know that Mozarts Jupiter Symphony is sublime and beautiful? There are all sorts of things which come at a more lowly level than that - How do I know that two plus two equals four? There are different layers, different types of knowing.
We look at distant exploding stars called supernovae, and we've developed techniques to measure how far away they are and how fast they're moving away from us.
Look, I know you meant well creating the world and all, but how could you let it get away from you like this? How come you couldn't stick with your original idea of paradise? People's lives were a mess.
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