A Quote by Hedi Slimane
I like the idea of paradox, between the authentic fabrics and sophisticated shapes and between masculine and feminine. I'm not so much for sportswear. I think it's over.
Related Quotes
My style very much leans towards the masculine, but I think I am feminine in it - I like the feminine body in masculine shapes. The androgynous look suits me.
Each one of us needs to discover the proper balance between the masculine and feminine energies, between the active and the receptive. (104)
There are transitional forms between the metals and non-metals; between chemical combinations and simple mixtures, between animals and plants, between phanerogams and cryptogams, and between mammals and birds [...]. The improbability may henceforth be taken for granted of finding in Nature a sharp cleavage between all that is masculine on the one side and all that is feminine on the other; or that any living being is so simple in this respect that it can be put wholly on one side, or wholly on the other, of the line.
The tension in the world is the tension between the ego and the feminine, not between the masculine and the feminine.
I've been really into boyfriend blazers, I like mixing tweeds with floral fabrics. The masculine and feminine look.
I'm interested in dismantling the distinction between masculine and feminine writing both because I think it's a false distinction and, I think, ultimately an insulting one. It's as insulting to men as it is to women. I'm not sure what masculine writing would look like - I assume some combination of Ernest Hemingway and Raymond Carver. Writing can't be gendered in that way.
There is a collective force rising up on the earth today, an energy of the reborn feminine... This is a time of monumental shift, from the male dominance of human consciousness back to a balanced relationship between masculine and feminine.
If there's a distinction between men and women, I don't pay attention to it. Honestly, I don't see it. I think all of us are part feminine and part masculine.
Creativity is basically a feminine process. I'm convinced that we have in our soul, everybody, this masculine side and this feminine side. So at the end of the day, you always use this feminine creative energy to write or to do any type of art or creativity. So if I see that my protagonist is feminine, it's not more difficult, no. And even when my protagonist is masculine, I'm writing from using this feminine energy.
The masculine/feminine look fascinates me. It is not only an issue of empowering women, but I think the shapes look great.
I was very worried about being unattractive because I think I look quite masculine. Sometimes I feel more masculine than feminine and I don't like it.
I definitely believe that we really need to stop putting things in masculine and feminine boxes and realize that men and women both contain masculine and feminine energy.
If there's a distinction between men and women, I don't pay attention to it. Honestly, I don't see it. I think all of us are part feminine and part masculine. I'm sure sociologists can come up with distinctions about what's different between men and women, but for every example you can give about what a woman does, you can come up with an opposite example of other women who don't do that. Those are more artificial distinctions, I think.
I think that it is true that for me as I observe it, that the Western World tends to be more of , tends to encompass more of, the masculine energy of the planet itself, the planet's population. Whereas the Eastern part of the world tends to encompass more of the planet's population's feminine aspects. And for those reasons the East and the West tend to approach God very much as men and women do. So the differences between East and West are the differences between men and women, largely.
The masculine DOES while the feminine IS. Major in the feminine, but minor in the masculine.
I do not consciously reclaim. I am not those "some readers" and so I think it would be impossible for me to see my work that way, as reclaiming a preserve. I write in a way that is aimed at all levels - conscious and unconscious - at pleasing the kind of reader I am. Some of the authors I read are male, some are female, and some are even in between. And speaking of in between, maybe now is as good a moment as any to point out that there might be no "feminine" or "masculine" literary sensibility, or sensibility generally.
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