A Quote by Heikki Luoma

On the Trans-Atlantic Single-handed Race Mr Owen Smithers has been disqualified for using both hands. — © Heikki Luoma
On the Trans-Atlantic Single-handed Race Mr Owen Smithers has been disqualified for using both hands.
When I did Nicholas Nickelby originally, that was a co-production between the new Channel 4, Polygram in Europe and Mobil Oil in America, and I have been involved in working on co-productions for years on both sides of the Atlantic and that's very much at the core of what Playground is doing. So marrying, finding projects that can be co-produced and can be produced using the very best talent from both sides of the Atlantic that's absolutely right at the center of what Playground is doing.
Too often, when Europeans talked of trans-Atlantic ties, we focused on the North Atlantic only.
Do my worst, eh? Smithers, release the robotic Richard Simmons." --Mr. Burns
Olympic officials have disqualified a champion race walker after determining that he was doping. They disqualified him. The man said getting caught doping is almost as embarrassing as getting caught being a champion race walker.
Corporal Nobbs had been disqualified from the human race for shoving
I both didn't know Owen [Suskind] beforehand and didn't have any connection to the autistic community. But Owen wasn't really a problem, because he participated in the writing of the book and wanted people to see him as he truly is. As far as the cameras, Owen lives in the moment and the cameras really didn't distract him.
We love trans women; all of us know that drag wouldn't be an art form without trans women. I know that, RuPaul knows that, everybody in the gay community knows that. Trans women have always been a part of and the face of drag. And I can guarantee trans women will always be a part of 'RuPaul's Drag Race.'
I have always been aware that I can never represent all trans people. No one or two or three trans people can. This is why we need diverse media representations of trans folks to multiply trans narratives in the media and depict our beautiful diversities.
Mr. Bibbit, you might warn this Mr. Harding that I'm so crazy I admit to voting for Eisenhower. Bibbit! You tell Mr. McMurphy I'm so crazy I voted for Eisenhower twice! And you tell Mr. Harding right back — he puts both hands on the table and leans down, his voice getting low — that I'm so crazy I plan to vote for Eisenhower again this November.
I wrote Normal Life using concepts that have been helpful to me, and hoping to offer those as accessible tools for thinking differently about the pitfalls trans resistance faces, in particular the temptation to focus on legal equality and the limitations of that approach, and the alternative approaches being taken by racial and economic justice focused trans activists.
The vision shared by both [French utopian] Charles Fourier and Robert Owen was for an entire town to fit into one structure. Owen's design for what he called a "parallelogram" was essentially to have a whole city in one building, laid out around a huge quadrangle. Fourier's scheme was to build a massive Versailles-like structure that he called a "phalanstery." In both cases they had these architectural dreams that we now recognize as pretty unappealing.
I think it's really important to champion stories from trans women and trans women of color. That demographic has gone unheard and unsupported for so long, and it's really the community that's struck the hardest by a lot of issues. I try to do a lot of work to champion trans feminine issues and stories, but that said, I do have a personal and deep investment in seeing trans masculine stories reflected in culture. It is a little disappointing to me that trans men and trans masculine people have not really been part of this media movement that we're experiencing right now.
Many in the trans community are fed up with L.G.B.T. organizations that continue to erase trans identity or just give lip service to trans issues. We need our cisgender allies - gay and straight - to treat transgender lives as if they matter, and trans people need multiple seats at the tables in the organizations that say they're interested in L.G.B.T. equality; this absence has been painful since Stonewall.
I think accurately presenting a trans character means not presenting them as perfect - I think there's been a pressure to do this with trans characters. They can have no flaws because they must represent the entire trans community.
People assume that trans people will only be accepted as trans characters, or that there aren't enough trans writers, or that there aren't any trans producers or directors, there's that attitude.
Mr. Bean is at his best when he is not using words, but I am equally at home in both verbal and nonverbal expression.
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