A Quote by Heinrich Heine

Since the Exodus, freedom has always spoken with a Hebrew accent. — © Heinrich Heine
Since the Exodus, freedom has always spoken with a Hebrew accent.
Back home, almost everything I did, I did in Hebrew. I went to drama school in Hebrew, my whole career was in Hebrew, and to switch languages was something that was fascinating and more complicated than I expected it to be, even though I've been speaking English since I could speak.
It's funny because when I'm outside Australia, I never get to do my Australian accent in anything. It's always a Danish accent or an English accent or an American accent.
German accents and Hassidic accents aren't that romantic. They're more harsh. Although Hebrew, when spoken by certain people, sounds beautiful. There's this beautiful woman I know who speaks Hebrew, and when she speaks, it's so attractive. Maybe it's who's speaking it.
There is a very beautiful expression in the Hebrew language that's borrowed from spoken Torah... 'All is predicted, and permission is given at any point to change anything.' I think I live by this idiom in the sense that there is always a goal; there is always something to look forward to in life and my creative search, and that goal is there.
Because I'm Irish, I've always done an accent. Not doing an accent is off-putting because I sound like me. I love doing an accent. Doing the accent from West Virginia was great, and we had to get specific with it.
Since social relationships are always ambiguous, since my thought is only a unit, since my thoughts create rifts as much as they unite, since my words establish contacts by being spoken and create isolation by remaining unspoken, since an immense moat separates the subjective certitude that I have for myself from the objective reality that I represent to others, since I never stop finding myself guilty even though I feel I am innocent.
Ever since I started acting, I've always spoken to our people about identity. I've spoken to kids, telling them: "Where do I get my strength to push through the barriers to get me where I'm at today? It's my culture and my traditions, you know?
Vanity Fair magazine reports that former President Clinton and Al Gore haven't spoken to each other since George W. Bush's inauguration. Not only that, Bill and his wife, Hillary, haven't spoken since Richard Nixon's inauguration.
I speak with a Northern Irish accent with a tinge of New York. My wife has a bit of a Boston accent; my oldest daughter talks with a Denver accent, and my youngest has a true blue Aussie accent. It's complicated.
Exodus is a very large organization. My board of directors is supportive of me as the president of Exodus and are very much involved in my decision-making and those types of things. They're a wonderful and balanced group of people and I'm grateful for their support. Within the membership we have 270 or so members within the network of Exodus whether that's a local member ministry, a counselor or one of our members of our church association.
I'm very lucky, because it's a combination of the German, the Hebrew, the Swiss, the French, and that accent helped because as soon as people heard it they knew it was me.
The Hebrew Bible defines Judaism. It's certainly true that the Talmudic interpretations become authoritative and normative, but they are interpretations of the Hebrew Bible. So that is always there.
I was raised in a Jewish family, but since I was adopted, my parents sent me to Hebrew school and Bible chapel, so I got the best of both worlds - singing in both a choir in Bible chapel and a chorus in Hebrew school. It shaped me and my voice.
Since the beginning of establishment, poets and spoken word artists have always been both vocal supporters and critics of government. And in this age of Trump as President, alternative facts, falsehoods becoming truth at the send of a tweet, it's vital that spoken word poetry does its job helping to keep folks 'woke' and not numb or shut down.
Hoffmeier furnishes a sophisticated fresh approach to the Biblical Exodus traditions filled with detailed Egyptological background, and utterly indispensable because of its basis in recent, and in many cases as yet unpublished, archaeological data. This is a virtual encyclopedia of the Exodus.
I've never played Scots or got the chance to do my Scottish accent. I'm always trying it out in auditions, but they always say no. I'd love to act in a Scottish accent for once.
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