A Quote by Heinrich Mann

There is no better way of elevating the novel than by making it into a construct which contains ideas. — © Heinrich Mann
There is no better way of elevating the novel than by making it into a construct which contains ideas.
To construct a proper privacy, making it a privilege rather than a burden, we first need to construct a community-love, family, politics, art.
A book no more contains reality than a clock contains time. A book may measure so-called reality as a clock measures so-called time; a book may create an illusion of reality as a clock creates an illusion of time; a book may be real, just as a clock is real (both more real, perhaps, than those ideas to which they allude); but let's not kid ourselves - all a clock contains is wheels and springs and all a book contains is sentences.
No ideas are harmed in the making of my books, by the way. All I do with my best ideas is run with them, fast as I can, taking notes and occasionally suggesting a left hand turn rather than the right hand one which might have taken us both over a precipice.
There's no really other way to learn writing than by writing. So accelerate that as much as you can. The more you write, the better you'll get. What also helps, though, is walking away from broken stuff. Not everything's going to work. Killing two years of your life trying to resuscitate a dying novel, I don't know. Why not just write a different one? You'll have more ideas. You can't help having ideas.
... regard this body as a machine which, having been made by the hand of God, is incomparably better ordered than any machine that can be devised by man, and contains in itself movements more wonderful than those in any machine. ... it is for all practical purposes impossible for a machine to have enough organs to make it act in all the contingencies of life in the way in which our reason makes us act.
The way of the martial artist is the way of enduring, surviving and prevailing over all that would destroy him. More than delivering strikes and slashes, and deeper in significance than the simple outwitting of an enemy, Ninpô is the way of attaining that which we need while making the world a better place. The skill of the Ninja is the art of winning.
A novel is a collision of ideas. Three or four threads may be floating around in the writer's consciousness, and at a single moment in time, these ideas collide and produce a novel.
A novel means a new way of doing a story. If you go back the origins of a novel, 'Clarissa' - that's not a novel; it's just a bunch of letters. But it isn't! Because it's organised in a particular way! A novel is what you make of it.
A novel according to my taste, does not come into the moderately good class unless it contains some person whom one can thoroughly love - and if a pretty woman, all the better.
The present era grabs everything that was ever written in order to transform it into films, TV programs; or cartoons. What is essential in a novel is precisely what can only be expressed in a novel, and so every adaptation contains nothing but the non-essential. If a person is still crazy enough to write novels nowadays and wants to protect them, he has to write them in such a way that they cannot be adapted, in other words, in such a way that they cannot be retold.
My writing often contains souvenirs of the day - a song I heard, a bird I saw - which I then put into the novel.
The DNA of the novel - which, if I begin to write nonfiction, I will write about this - is that: the title of the novel is the whole novel. The first line of the novel is the whole novel. The point of view is the whole novel. Every subplot is the whole novel. The verb tense is the whole novel.
Film is better than digital in every way. It has better contrast ratio, better blacks, and better color reproduction. It's a more organic image, which is more the way your eyes see.
Virtual reality might be able to give you a way of doing hands-on to construct ideas in a computer.
It doesn't mean my footballing ideas are special, different, better than the others. I am not saying it's my football, my ideas, and the other coaches are nothing. It's the way I believe. I'm not special.
If ideas are what feed serious literature and arresting language, who today is writing a novel of ideas (which can often mean comedy)? I think of Joshua Cohen. Who else?
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