A Quote by Helen Baxendale

As a teenager I was quite conventional in the way I dressed, more so than now. I tried to be rebellious but I was really lame at it. — © Helen Baxendale
As a teenager I was quite conventional in the way I dressed, more so than now. I tried to be rebellious but I was really lame at it.
Saying 'I notice you're a nerd' is like saying, 'Hey, I notice that you'd rather be intelligent than be stupid, that you'd rather be thoughtful than be vapid, that you believe that there are things that matter more than the arrest record of Lindsay Lohan. Why is that?' In fact, it seems to me that most contemporary insults are pretty lame. Even 'lame' is kind of lame. Saying 'You're lame' is like saying 'You walk with a limp.' Yeah, whatever, so does 50 Cent, and he's done all right for himself.
As a teenager, I was perpetually grounded. I was stubborn rather than rebellious.
I was not a rebellious teenager. I was a sit-in-your-room teenager.
I found being a teenager quite difficult, actually. I put a lot of pressure on myself, and now, looking back at it, I really wish that I had relaxed and just enjoyed it more.
When you're a teenager, there are more things you don't know than you know, and more people that you haven't met than you have met. I felt that way when I was a teenager, and I think maybe, with my films, I'm targeting grown-ups who remember that feeling.
I stood on Susan Boone's front porch, feeling lame. But then, since I've pretty much felt lame my entire life, this was no big surprise. On the other hand, usually I felt lame for no particular reason. This time I really had a reason to feel lame.
In fashion, of course, the way that women are dressed now - and also a vision of the modern woman, the woman of today. She's very feminine, but at the same time, extremely free. A Saint Laurent woman is actually very Parisian. She's not really a man's equal, she's his adversary. I worked on the catwalk with two models who worked with Yves Saint Laurent for more than 10 years. They're not just gorgeous models, they're more than that - they're very smart and very beautiful. They're more than models, they're really unique; it's personality. It's more than just fashion.
The cliché I tried to avoid was I hated "teenage sidekicks." I always figured if I were a superhero, there's no way on God's earth that I'm gonna pal around with some teenager. So my publisher insisted I have a teenager in the series, because they always felt teenagers won't read the books unless there's a teenager in the story; which is nonsense.
When my films don't work it's usually because I tried some very experimental idea. I tried new ideas and they just didn't work, as opposed to trying to do something conventional and having it be so conventional nobody wanted to see it.
A sound banker, alas, is not one who foresees danger and avoids it, but one who, when he is ruined, is ruined in a conventional and orthodox way along with his fellows, so that no one can really blame him. It is necessarily part of the business of a banker to maintain appearances, and to confess a conventional respectability, which is more than human. Life-long practices of this kind make them the most romantic and the least realistic of men.
I've never really lived a conventional life, so I think it's quite foolish for me or anyone else to start thinking that I am going to start making conventional choices.
There's a lot of research that suggests that organic yields are close or superior to conventional yields depending on factors like climate. In a drought year an organic field of corn will yield more - considerably more - than a conventional field; organic fields hold moisture better so they don't need as much water. It simply isn't true that organic yields are lower than conventional yields.
I was being a sort of rebellious teenager, really. But there was never any point at which I was considering leaving Harry Potter. If I were to stop acting, it would have been after. As long as they kept asking me to come back, I was gonna keep doing it. 'Cause I loved the story! There's no way I would have left.
With Moloko, we tried to be the opposite of what was out there at the time. I like to be different. In the mid-Nineties, music was quite dour and serious, and everything was dressed down. So we went the other way. Our first record was about not wanting to do four-to-the-floor dance music.
I was never more hated than when I tried to be honest. Or when, even as just now I've tried to articulate exactly what I felt to be the truth. No one was satisfied
With Whitney Eve, I really wanted to dress everyday girls. I wanted it to be a more sophisticated than just casualwear, but be comfortable at the same time. All the fabrics are easy fabrics, they can be dressed up or dressed down.
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