A Quote by Helen Baxendale
It's actually a privileged existence - I get to do some work, but I can walk down the street and have an absolutely normal life, rather than existing in some strange bubble.
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Absolutely, it's a really weird stage because at the minute, I can walk down the street and be unrecognised, lead a normal life, but my label and everybody is warning me that will be changing and I'm in for a rollercoaster ride.
There's a great Albert Camus quote: 'The only way to deal with an unfree world is to become so absolutely free that your very existence is an act of rebellion.' When I first re-emerged, I was embarrassed to walk down the street. People would come up and say, 'I heard you were dead!' But I had to remind myself that a lot of the stuff I went through was pretty brutal. I'm definitely thankful that some of the rough patches are behind me.
You never have a normal family relationship in the White House; it's an impossible thing to have. You live in a goldfish bubble, and you snatch what you can for a personal life, but you never have a normal, natural existence.
There's this belief that some things can be taken seriously in an intellectual way, while some things are only entertainment or only a commodity. Or there's some kind of critical consensus that some things are "good," and some things are garbage, throwaway culture. And I think the difference between them, in a lot of ways, is actually much less than people think. Especially when you get down to how they affect the audience.
I walk down the street and people don't go, 'My God, there he is.' I lead as normal a life as you can lead in New York City.
I have people in my life, of course. Some write; some don't. Some read; some don't. Some stare vacantly into space when I talk the geeky talk and walk the geeky walk, but they make killer chocolate chip pancakes and so all is forgiven.
I've always wanted a normal life, and this is what I got. Being an actress wasn't a plan at all, so what's happened to me is very strange. Life isn't very normal, even though I'm still very much a normal girl. I ride the subway, I ride the bus, and all of that. It's the people around me that have changed. I love when I go to a restaurant and I walk past, and everyone waves. That's always really funny. It's strange. It just goes to show that whatever plan you have for your life, you are wrong, a lot of times.
I live in a bubble. Real life is the one my friends live. They've had to look for work, sign on to the dole, and emigrate. That's normal life now. My life as a footballer is not normal.
I enjoy the movies just as much as the next person, I owe my existence and privileged life to it. But I would rather pay for my ticket and watch it in a theater popcorn and cold drink in my hand than swim in the giant fishbowl that is the life of an actor.
I think it's very important to get this stuff on film, not just the behind-the-scenes of the process, but also the interviews with the women. We're going to try to do some on-the-street filming, getting people's reactions to the work, and seeing if we can get some street harassment happening on film so people can see what we're talking about. It's important to have some type of documentation so people can see what happens when we create this artwork and why I'm creating it.
My goal is just to be respected as a man when I walk down the street with my family. I don't care what your job is, you're not gonna talk down to me, you're not gonna try to get a rise out of me. I'm a man first. And in establishing that, some interesting things have happened.
Managing risk is a key variable, frankly, all aspects of life, business is just one of them, and one of the things that most people do in terms of managing risk, that's actually bad thinking, is they think they can manage risk to zero. Everything has some risk to it. You know, you drive your car down the street, a drunk driver may hit you. So what you're doing is you're actually trying to get to an acceptable level of risk.
In a way, I'd rather ride down the street on a camel than give what is sometimes called an in-depth interview. I'd rather ride down the street on a camel nude. In a snowstorm. Backwards.
If you make a street poster and literally paste it on the street in a city like New York, where it's such a mixed population and so densely populated, and it stays up for a full week and doesn't get covered up by something else or pulled down, you will have fifty thousand people who will have seen it. It will be the poorest of the poor - some homeless man who lives on the street will see it and probably appreciate it, or some businessman or landlord will see it. Everyone will see it. And whether or not they even realize that they saw it, on some level it's affecting their consciousness.
Artists, actors, people like that, they live in a very strange bubble of their own. They're mollycoddled; they're highly privileged.
During the course of a day, some dark feeling comes, maybe some sadness comes, some thrill, some great happiness, some strange humor. Cinema can embrace all that in one story, just as the story of life.
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