A Quote by Helen Baxendale

It's frightening to go onto a stage, particularly in the first few days. — © Helen Baxendale
It's frightening to go onto a stage, particularly in the first few days.
I didn't always mean to be an actor. I was carried onto the stage when I was two days old, but I never acted as a child. My parents were stage people.
I don't think anyone's particularly conscious of thinking suits are the thing, but when you see a comedian on stage in jeans and a t-shirt it doesn't matter how good they are - it always looks like amateur hour when they walk onto the stage.
You can go onto that stage every night, and it's always the equivalent of going onto the topmost diving board, and you don't know if there's any water in the pool.
If you ever go to Las Vegas, and you will, just go for a few days. I was there recently for seven days, seven days in Vegas. After I blew all my money on gambling and prostitution, I had six days to kill.
Francis Ford Coppola did this early on. You tape a movie, like a radio show, and you have the narrator read all the stage directions. And then you go back like a few days later and then you listen to the movie. And it sort of plays in your mind like a film, like a first rough cut of a movie.
Of course, the American education system is very inefficient in many ways compared to other countries in Europe or Japan, but it works in such a way that at least the few people who are going onto unusual careers and science can manage to get into that, even though they go through an earlier stage that doesn't give them much.
In some roles you do get into a mode of terror. It's always very frightening - the first audiences are frightening.
I grew up in the theater. I began my career at 3. That was the first time I stepped onto a provisional stage.
Obviously, I did not start my Test career too well. With the bat, I was probably not quite ready to play at that stage. I was happy to go back to first-class system and learn my game a bit more, honing my skills, particularly my defence and patience.
I think everybody does go in expecting they're making 'Gone With The Wind' on their first movie. But you know, that's just not going to be the case, everybody. Hold onto your hat. Buckle in. It's probably going to take a few.
I discovered is that I have a couple of valves that were leaky and had been giving, gave me a problem then. But I hadn't noticed anything up until then.A couple of incidents of shortness of breath and checked myself into a hospital, but that one in France really sat me down for a few minutes - a very few minutes, because seven days later I was in the studio, and eight days later, I was no the stage.
On my first days here I did not start work immediately but, as planned, I took it easy for a few days - flicked through books, studied Japanese art a little.
If I get a week off, I'll go to a hotel that has a golf course. I like to come downstairs and go right onto the course. I'll do that five days in a row.
Having worked in disasters, I have seen that, in those critical first few hours, those first few days - so much ends up riding on you and your neighbor and whoever is around. The official response always comes later, and it always feels like it comes too slow.
It's an awesome thing to be flung out onto the stage twice a weekend in front of 250 people, and you have to make it up as you go along.
In Italy, after a few defeats, it's quite common for the team to have to stay at the training ground for a few days, rather than go home.
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