A Quote by Helen Craig
As a child, I had always wanted to know what lay at the end of a corridor or behind a door in a picture, so I did a floorplan and elevations of Angelina's house and learned my way around it. The idea was that children should start to feel at home in it.
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Sam Fuller and 'Shock Corridor' can only be conjured as a mantra. 'Shock Corridor' is a classic work of art - it's unique. It comes from the unique experience of being Sam Fuller and yes, there's always that element of 'Shock Corridor' hovering around the picture, but never specifically. In fact, I didn't even screen it because it's in us. It's in me anyway. It's in me. It was a way of conjuring up support just by saying the name, 'Shock Corridor,' as I was going to shoot. Poor Sam [Fuller]...
The idea of a life plan, "I'm here now, where do I need to go to..." There's always "And then what?" And eventually the end of that "and then what?" is death. I've just learned that I can't have such a narrow focus as I did as a child, because there is no end point, and eventually you feel empty if you're not also nourishing other things: joy, love, relationships.
I always hated those fantasy books where, at the end, all the kids had to go home. At the end of a Narnia book, you always got shown the door. Same with The Wizard Of Oz and The Phantom Tollbooth. You get kicked out of your magic land. It's like, "By the way, here's your next surprise: You get to go home!" And the kids are all like, "Yay, we get to go home!" I never bought that. Did anybody buy that?
I mean, I had probably an illusion of being the wife that, you know, I wanted to create a home. I wanted to have children. I wanted him to be a husband. It was never going to be that way. It couldn't be that way.
Home is, I suppose just a child's idea. A house at night, and a lamp in the house. A place to feel safe.
When I have children that go home and mom and dad are not home because they're working, they're trying to get food on the table, and they come home to an empty house and they go to sleep in an empty house, there is no way that child can compete against a child from the west side of Los Angeles who both parents went to Stanford. Well, good for them, God love them. That's not an equal playing field.
I think it can be a good idea to know what you do well and use that to open the door for yourself. Once you open the door, close it behind you, and start to make changes.
But why had he always felt so strongly the magnetic pull of home, why had he thought so much about it and remembered it with such blazing accuracy, if it did not matter, and if this little town, and the immortal hills around it, was not the only home he had on earth? He did not know. All that he knew was that the years flow by like water, and that one day men come home again.
I was a child of the women's movement. Everything I had learned was from my mother and my grandmother, who both had a very pioneering spirit. They had to, because they had to change flat tires and paint the house - because, you know, the men didn't come home from the war or whatever else, so women had to do these things.
Being behind the camera is where I feel comfortable. I've found something that I feel I, as 'Michael,' can be as confident in as 'Johnny' was on the stage. It's great being part of the creative process. You're right at the start of an idea, and you get to see it all the way through till the end.
I can't say, over the miles, that I had learned what I had wanted to know because I hadn't known what I wanted to know. But I did learn what I didn't know I wanted to know.
I was always real deep into music. From everything, all around the board - from East Coast, West Coast, down South, everywhere. I just been a fan of music and I know I always wanted to do it myself and I wanted to do it my way. So, I told myself if I ever start doing music, I'ma do it my way. That's what made me start my own label.
I'd have to say, for me, as a child, my favorite memories were always centered around Christmas time. It always seemed like no matter how much money my parents had or didn't have, we got completely spoiled rotten. There were always presents under the tree, and we always did special things, like hide elves around the house.
I can watch an episode of Jerry Seinfeld, and by the end, I'm just walking around my house, you know, talking like Jerry Seinfeld. 'What is that? What are you doing? Who is it? What's going' - you know, I just had that thing, when I grew up, I'd just start talking like people. You know, I always had that.
I had no idea of being a star, all I knew was that I wanted to be a great actress, I wanted to work as an actress. So I thought the way I would be a great actress was to sing and dance first. Lay a foundation - get my foot in the door, and then undoubtedly, of course, I would be offered great roles as soon as I grew up enough to handle them.
Id have to say, for me, as a child, my favorite memories were always centered around Christmas time. It always seemed like no matter how much money my parents had or didnt have, we got completely spoiled rotten. There were always presents under the tree, and we always did special things, like hide elves around the house.
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