A Quote by Helen Dunmore
The human longing for story is so powerful, so primitive, that it seems like something not learned, but locked into our genes.
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There is a German word, Sehnsucht, which has no English equivalent; it means 'the longing for something'. It has Romantic and mystical connotations; C.S. Lewis defined it as the 'inconsolable longing' in the human heart for 'we know not what'. It seems rather German to be able to specify the unspecifiable. The longing for something - or, in our case, for someone.
It's human nature that we come in our own flavours, and it doesn't make any sense to write a monochromatic or monocultural story unless you're doing something extremely small - a locked room-style story.
How to become a really modern society when today we are so - as a human being, we feel so powerful. We have high technology and a superb way of controlling our life. And at the same time, in many ways we are so primitive. We are not on - even just a step away from the most brutal and primitive crudity. To be very crude on those issues, which is always challenges and we always have to look at the situation like a mirror, to draw some understanding.
It seems to me that the desire to make art produces an ongoing experience of longing, a restlessness sometimes, but not inevitably, played out romantically, or sexually. Always there seems something ahead, the next poem or story, visible, at least, apprehensible, but unreachable. To perceive it at all is to be haunted by it; some sound, some tone, becomes a torment — the poem embodying that sound seems to exist somewhere already finished. It’s like a lighthouse, except that, as one swims towards it, it backs away.
The novel...creates a bemusing effect. The short story, on the other hand wakes the reader up. Not only that, it answers the primitive craving for art, the wit, paradox and beauty of shape, the longing to see a dramatic pattern and significance in our experience.
At every stage, addiction is driven by one of the most powerful, mysterious, and vital forces of human existence. What drives addiction is longing--a longing not just of brain, belly, or loins but finally of the heart.
Our problem is not that we're fallen; our problem is we haven't become human yet. The question is, what can make us human, so that we can give life away and give love away and not be grasping after trying to protect our own lives all the time? That's the way I see the Jesus story, and I think it's a powerful and profound story.
But when the group is literally capable of changing our perceptions, and when to stand alone is to activate primitive, powerful, and unconscious feelings of rejection, then the health of these institutions seems far more vulnerable than we think.
And if you listen to Irish music, they say that kilts came from the middle east. So really I'm an Arab. If you listen to the way someone like Sinead O'Connor sang. It could be Muslim. You know that angst that sort of ****. That wail. I think it's in our genes. I think certain stuff is in our genes, like nobody can dance like a black guy. It's in their genes. So we don't have oil, but we have poetry.
Of course our genes will make some capacities very much easier to learn than others, and of course our genes themselves are not learned. But the point remains that genes themselves are not cognitive capacities, and that anything worth calling a cognitive capacity will depend to some degree on learning and so not be innate.
There is a human longing to go back to other times. We all know how when we were children we asked our parents, "What was it like when you were a kid?" I think it probably has something to do with our survival as a species.
Recently, results of the Human Genome Project have shattered one of Science's fundamental core beliefs, the concept of genetic determinism. We have been led to believe that our genes determine the character of our lives, yet new research surprisingly reveals that it is the character of our lives that controls our genes. Rather than being victims of our heredity, we are actually masters of our genome.
If life is to be fully human it must serve some end which seems, in some sense, outside human life, some end which is impersonal and above mankind, such as God or truth or beauty. Those who best promote life do not have life for their purpose. They aim rather at what seems like a gradual incarnation, a bringing into our human existence of something eternal, something that appears to imagination to live in a heaven remote from strife and failure and the devouring jaws of Time.
It is the human wish to be told lies that keep us as primitive morally and socially as we are. I am persuaded that a lie grounded in human desire is too powerful for mere reason to kill.
Human beings do not carry civilization in their genes. All that we do carry in our genes are certain capacities- the capacity to learn to walk upright, to use our brains, to speak, to relate to our fellow men, to construct and use tools, to explore the universe, and to express that exploration in religion, in art, in science, in philosophy.
I've learned the lesson that when you're in the middle of something that seems overwhelming, or you're in a bad situation and it seems like it's the end of the world or whatever, then you learn that it's not.
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