A Quote by Helen Dunmore

I could start with Mandelstam, who was a huge influence on my early writing. — © Helen Dunmore
I could start with Mandelstam, who was a huge influence on my early writing.
When I left politics in the early Eighties and started writing and recording, my idea was that I could have an influence further down into other generations. That Natives could come into the culture through arts and music.
My parents' example of a loving, caring relationship, I think, has affected my songwriting a ton and allowed me to start writing love songs that people could connect to without sounding like you're being cheesy, because they're coming from a real place, something that I saw coming up. I think they're a huge influence on my songwriting.
Nobody has had a bigger influence on me as far as day-to-day preparation than Todd Lickliter. He was a huge, huge, huge influence.
In crime fiction, I cut my teeth on early Robert Parker, Elmore Leonard, John D. MacDonald, and Alan Furst. I always loved the writing of Hemingway and Faulkner. Cormac McCarthy's 'Border Trilogy' has been a huge influence; I think I read those novels four times.
The horrors have made the legend of Mandelstam and are inevitably the lens through which we read his work and life. But if there had been no Stalin and no purge, Mandelstam still would have been a poet of severe emotional and existential extremity.
As for the influence on my writing,music has definitely influenced how I write. That idea of cadence, repetition, all those elements appear throughout my writing. Drumming has definitely had a huge influence on the way I write, too. Has definitely tuned my ear to rhythm. After I've written something, I'll go through it repeatedly, carefully listening to the construction of the words, seeing, hearing how they flow.
Certainly, the Beach Boys and the early Beatles records were a huge influence on me lyrically.
Philip Roth has been a huge influence on me. The early books I read in my teens and twenties.
Hearing a lot of early rock n' roll records from a very young age was a huge influence.
If you realize early what your influence is, you can have a better understanding of what you are writing about.
And Mandelstam says a poet - you go down to the shore and you see an unlikely looking from a bottle from the past, you open it. Mandelstam says, "It's okay to do so. I'm not reading someone else's mail. It was addressed to whoever found it. I found it, therefore it's addressed to me."
I've always been a huge Butthole Surfers fan. The first time I saw them was in the early '80s when all they had out was their first EP. I thought they were amazing. They've always been a huge influence and one of my all-time favorite bands.
I have the feeling it will influence my future writing to the extent that without any material worries I could develop a greater ease, even lightheartedness, in my writing.
I have the feeling it will influence my future writing to the extent that without any material worries I could develop a greater ease, even lightheartedness, in my writing
Mandelstam's style is not singular. He could be stately and traditional, ribald and funny, hectic, elegiac. He could handle abstractions and ideas as well as Pope or Browning but then be so musical that other poems approach pure sound.
Mandelstam is the sort of poet who comes along very, very rarely. Even the two Russian poets whose work is often linked with his - Anna Akhmatova and Marina Tsvetaeva - though their work is more "urgent" than most American poetry, seem to me to operate at a lesser charge than Mandelstam.
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