I got into my usual obsessive writing frenzy, using all the material I'd worked on for so long and crafting it into a little novel [Bridget Jones's Baby: The Diaries].
I'd always hoped to write the story as a novel, but there was a long period when the [Bridget Jones's Baby: The Diaries] movie was stalled and in confusion. I felt frustrated creatively, and just couldn't work on the Baby material till the movie was sorted out.
More than two years after Mad About the Boy was published, the [Bridget Jones's Baby: The Diaries ] movie started coming together. I felt better about the material, and found myself writing a letter from Bridget to her son: explaining the original story of how he came to be, from his own Mum.
I'd been working on the [Bridget Jones's Baby: The Diaries material] for years, first, in the Independent newspaper columns and then in the various versions of the movie scripts.
That's when the idea for Mad About the Boy arrived. It wasn't even a Bridget [Jones] story initially - then I realized I was writing in Bridget's voice and it grew from there into a Bridget novel.
Though with Bridget Jones's Baby: the Diaries, I'd like to make it clear that I did not ever get pregnant by two men.
With so many dark things to worry about in the world right now, I hope people will just go with the fun and enjoy [ Bridget Jones's Baby: The Diaries].
With most of the events in the books [ Bridget Jones Diaries ] I draw a little bit from my own life and some from what I see happening around me.
I was writing an earnest novel about cruises in the Caribbean and I just started writing 'Bridget Jones' to get some money, to finance this earnest work, and then I chucked it out.
As Bridget writes to her son, in Bridget Jones' Baby - "if you just keep calm and keep your spirits up, things have a habit of turning out all right, just as they did for me."
Of course the chronology of the books is a bit back- to - front, and books usually come out before movies. But happily, these [Bridget Jones's] are fictional comedy diaries - not a history of the Battle of Waterloo.
I tend to take [ to Bridget Jones Diaries] something that nearly happened, or might have happened, and then exaggerate it to make it funny and to make it tie into the themes.
Bridget Jones' Baby, at heart is about the gap between how you expect life to turn out and how it actually does.
For me, writing Bridget's [Jones] stories is an instinctive, organic thing, which tends to happen more by accident than design.
I have been waiting a long time to see what's next for Bridget Jones, and I am beyond thrilled she's back.
English writing tends to fall into two categories - the big, baggy epic novel or the fairly controlled, tidy novel. For a long time, I was a fan of the big, baggy novel, but there's definitely an advantage to having a little bit more control.