A Quote by Helen Fielding

If we can't have comedy books written about aspects of womanhood without going into a panic attack about it, then we haven't got very far at being equal. — © Helen Fielding
If we can't have comedy books written about aspects of womanhood without going into a panic attack about it, then we haven't got very far at being equal.
The longest I've gone without a panic attack is about two months. Even then I can feel it bubbling away under the surface.
I've always been very open about it. I've been very open about my addiction, about my panic disorder. But I think that transparency is what can separate you from others because I think that is where comedy is going.
Despite having written five books, I worry that I have not written the right kinds of books, or that perhaps I have dedicated too much of my life to writing, and have therefore neglected other aspects of my being.
I looked around and we were about a mile-and-a-half from land, and I thought, 'OK, I'm going to drown now.' And then I started to flail out and panic. I gradually calmed down and I got home. But the reality was that in that moment I was panicking and I feel like that to me was the clue about Ripley, that Ripley constantly finds himself out of his depth in the film and then reacts very, very badly.
We're not all equal as far as intelligence is concerned. We're not equal as far as size. We're not all equal as far as appearance. We do not all have the same opportunities. We're not born in the same environments, but we're all absolutely equal in having the opportunity to make the most of what we have and not comparing or worrying about what others have.
While writing books about the past, I think about the present. It's not intentional, but somehow my books end up being written under the sign of a political mood.
I love humor in writing, so I've written to the thing that's funny, there's the joke, but then I just kept going. I started thinking about all the bikes I've had stolen, and that got me thinking about crime, and that got me thinking about the city I'm in.
There's a very interesting article or symposium to be written on just the real difference between comedy filmmaking and non-comedy. Because, you know, when you work in comedy, you depend on audience screenings to tell you about your movie.
Sometimes you can't help but pay attention to what is written about you. You are trying not to because it's generally not constructive, it can be very funny, in which case it's fine to pay attention to it if you're going to laugh about it. But if it's going to get you angry then it's a pretty pointless waste of energy, so I try and be selective about what I take an interest in about myself.
Everyone always asks, was he mad at you for writing the book? and I have to say, Yes, yes, he was. He still is. It is one of the most fascinating things to me about the whole episode: he cheated on me, and then got to behave as if he was the one who had been wronged because I wrote about it! I mean, it's not as if I wasn't a writer. It's not as if I hadn't often written about myself. I'd even written about him. What did he think was going to happen? That I would take a vow of silence for the first time in my life? "
I am a person that is very curious about what is going on in the world and there are a lot of subjects to write about, you meet a lot of interesting people. But one idea will be there and it will show up without any logic. It is a book that has been written in my heart before it is written into sentences.
I think that's part of being a comedy writer. You have to be confident. If you're sitting around worrying about, like, oh my God, what are people going to think, then you're not writing comedy. You have to write what makes you laugh, and then the world hopefully laughs as well.
A financial panic is a very bad thing, but a government panic can do far greater damage in a far shorter time.
Discipline is not just about work, but about diet and about exercise and on a deeper level, about concentrating and making sure that my brain is staying in good places and the neurons are firing in positive ways as opposed to getting into anxiety, panic-attack states of mind. When I'm crazy. You know?
I've got to think about what I'm going to say very carefully. There's two avenues of thought: Do you stop everyone going, ban all the artists coming in from Russia? But then you're really leaving the men and women who are gay and suffering under the antigay laws in an isolated situation. As a gay man, I can't leave those people on their own without going over there and supporting them. I don't know what's going to happen, but I've got to go.
I don't enjoy public attention. I don't like being recognised, being clicked, or being written about. But then it is destiny. I am just going with the flow.
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