A Quote by Helen Fielding
I certainly think I'll end up writing about America in some form. I've taken plenty of notes. I like America very much.
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I'm in love with this country called "America." I'm a huge fan of America. I'm one of those annoying fans - you know, the ones that read the cd notes and follow you into bathrooms and ask you all kinds of annoying questions about why you didn't live up to that. I'm that kind of fan. I've read the Declaration of Independence, and I've read the Constitution of the United States, and they are some liner notes, dude.
I think America the symbol and America the notion are still very different from America the nation. What's touching and almost regenerative is that whatever is happening in the reality of America, where there is a murder rate worse than Lebanon's and where there is so much homelessness and poverty, still America will be a shorthand throughout the world for everything that is young and modern and free.
I find that I end up liking songs if I really have an idea of something I wat to write about-some problem in my life or something I want to work through; if I don't have something like that at the root of the song, then I think I end up not caring about it as much. I gravitate towards some kind of concept or idea or situation that I want to write about. Very often I have to write, rewrite and come at it from an opposite angle...and I end up writing the opposite song that I thought I was going to write.
Generally, I think America is America. America has been through suffering like other countries, but America will come up. I have no doubt. It's just going to bounce. You know, you have ups and downs.
Since I have come to America, I am often asked whether my next novel will be set in America. I don't think it will. I think I will be living in America for some time to come, but while living in America, I would like to write about Japanese society from the outside.
For my parents it was all about getting a deal, my dad came to America and he heard of this concept of brunch. He didn't quite know what it was. And he thought it was this other meal that existed between breakfast and lunch. He was kind of like - I remember he sort of was like America has so much food that between breakfast and lunch they have to stop and eat again. They have brunch. It was completely legal it was, like, a legal meal that you could have. I mean, clearly it wasn't the only reason he came to America, but I think it certainly sweetened the pot for him.
An interesting thing about the religious people who run Iran is that one of their problems with Ahmadinejad, who they thought would be one of their guys because he's so religious, is that he actually has some really nutty ideas about religion. He's too religious. He's too literal. I mean, there are plenty of people in Iran who like Ahmadinejad's religious beliefs, just as there are plenty of Christian fundamentalists in America who like George W. Bush's beliefs. But there are also plenty of people who are very uncomfortable with his overt religiosity.
Much of my writing has taken the form of a pilgrimage: to sacred places that represent the best of America, to musicians and other artists who represent the best of their art.
I think there are plenty of good people in America, but there are also plenty of bad people in America and the bad ones are the ones who seem to have all the power and be in these positions to block things that you and I need.
There have been times when I've written something and it goes out and it comes back in a letter from some kid as to what they think about it and I've taken their analysis to heart so much that I have taken up his thing. Writing what my audience is telling me to write.
Ronald Reagan was this actor who was going to be president, and he was very charming. What he had was, he talked about America in ways that got people all caught up in it. He was creating this America - it could even be the mythical "America" - that we subscribe to.
There is no other genre that deals with America better, in a subtextual way, than the Westerns being made in the different decades. The '50s Westerns very much put forth an Eisenhower idea of America, whereas the Westerns of the '70s were very cynical about America.
I do not think commodities are taken for granted. One of the convergences in time I noticed, and to me seemed very important, was the emergence of paper money. There had been permissionary notes, exchanging money by writing it, but there was no duplicated form of guaranteeing an exchange.
I still have a lot of family in America. I still have a lot of friends there. There is a lot that I admire there very much. When I find America getting too much criticized outside America, I want to tell them how many things are good about it.
When I was at N.Y.U., I studied abroad in Prague, and I learned about some of the European animators, like Jan Svankmajer and Jiri Barta. I didn't think at the time that I would end up doing anything like that, but I certainly thought it was very cool.
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