A Quote by Helen Fisher

Office romances are few, short, and not usually destructive. — © Helen Fisher
Office romances are few, short, and not usually destructive.
To be honest, I chose romance because writing a book seemed so dauntingly long. I looked around for something short, discovered Harlequin romances, and decided to read a few to see if I could do it.
I find short, fast romances romantic. There's a beauty to dark imagery.
All my films are, in some way, romances. But I've always felt that the best romances are somehow doomed.
Some few have a natural talent for office-bolding; very many for office-seeking.
I've got to be honest, I absolutely don't like designing romances. I think that you get a lot more drama and impact from failed romances, or unrequited relationships that occur in games. I think that creates more player tension.
If you are working in an office, where do you find the time to write a novel? But you can finish a short story in five pages. Furthermore, a short story is a perfect place to learn the craft
If you are working in an office, where do you find the time to write a novel? But you can finish a short story in five pages. Furthermore, a short story is a perfect place to learn the craft.
If you find that the reader of popular romances--however uneducated a reader, however bad the romances--goes back to his old favourites again and again, then you have pretty good evidence that they are to him a sort of poetry.
Ordinary people, simply doing their jobs, and without any particular hostility on their part, can become agents in a terrible destructive process. Moreover, even when the destructive effects of their work become patently clear, and they are asked to carry out actions incompatible with fundamental standards of morality, relatively few people have the resources needed to resist authority.
Most romances aren't swept aside by big historical events. Most romances in the history of the world fall apart because of other, smaller happenings. History can sometimes be in the background, the thing which instead of rupturing your life merely irritates you by pressing itself now and then into the foreground.
The attention that's being projected by men who simply watch you walking down the street, in the office, or in bed, in most cases, is going to be extremely destructive.
Few sons are equal to their fathers; most fall short, all too few surpass them.
The religion of the short poem, in every age and in every literature, has a single commandment: Less is always more. The short poem rejects preamble and summary. It's about all and everything, the metaphysics of a few words surrounded by much silence. …The short poem is a match flaring up in a dark universe.
Every man who has sat in the Oval Office has felt the short, sharp shock when an ordinary day in the highest office in the land shifts from pomp and ceremony to urgent briefings, immediate choices, crucial decisions where lives are on the line. It's not something that may happen to a president. It's something that will happen.
You should really stay true to your own style. When I first started writing, everybody said to me, 'Your style just isn't right because you don't use the really flowery language that romances have.' My romances - compared to what's out there - are very strange, very odd, very different. And I think that's one of the reasons they're selling.
Short stories are designed to deliver their impact in as few pages as possible. A tremendous amount is left out, and a good short story writer learns to include only the most essential information.
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