A Quote by Helen Frankenthaler
What has made it work, or what makes certain paintings successful or not, has to do with my being a painter and a thinking, feeling person, more than my sex, color, height, origin.
Related Quotes
The more successful enterprises are the more they try to replicate, duplicate, codify what makes us great. And suddenly they're inward thinking. They're thinking how can we continue to do what we've done in the past without understanding that what made them successful is to take risks, to change and to adapt and to be responsive. And so in a sense success breeds its own failure. And I think it's true of a lot of successful businesses.
Plus, I very much like the feeling of height, and buildings have even more of a feeling of height than rock faces.
And I started with this: I have not painted at all my childhood. In fact, I never painted. But I helped my father who was a house painter and decorative painter. He made stage sets, he made glass paintings, he made everything.
I don't consider myself a painter. I think of myself more as an artist who uses paintings rather than simply makes them. Especially with my latest pieces, the work may be informed by conversations surrounding the medium, but it's not in any way fixed or limited to them.
With buildering, I get to keep that element of danger. Plus, I very much like the feeling of height, and buildings have even more of a feeling of height than rock faces.
I like black for clothes, small items, and jewelry. It's a color that can't be violated by any other colors. A color that simply keeps being itself. A color that sinks more somberly than any other color, yet asserts itself more than all other colors. It's a passionate gallant color. Anything is wonderful if it transcends things rather than being halfway.
I'm interested in color belonging to something, where it takes on a completely new kind of vibrancy, rather than being what you would call straight abstract paintings. And anyway it is so much more exciting trying to find out about the three dimensions of color and sticking it down on a two dimensional surface.
All photographs are there to remind us of what we forget. In this - as in other ways - they are the opposite of paintings. Paintings record what the painter remembers. Because each one of us forgets different things, a photo more than a painting may change its meaning according to who is looking at it.
Every American wants MORE & MORE of the world and why not, you only live once. But the mistake made in America is persons accumulate more & more dead matter, machinery, possessions & rugs & fact information at the expense of what really counts as more: feeling, good feeling, sex feeling, tenderness feeling, mutual feeling. You own twice as much rug if you're twice as aware of the rug.
I have dated and have had sex with men and women and have to say that the relationships I have had with certain women have been much more fulfilling, sexually and emotionally, than of those with certain men. I connect with an aura, with energy. And if the person with whom I connect happens to be a female, that's just the way it is. That's what makes my wheels turn.
...if photos can reproduce the world more perfectly than any painter, can capture an instant, a look, a gesture, then what makes a painting good anymore? Painting subverts this subversion of its traditional nature by redefining itself - art is idea, not simply skillful execution. So, a work can be crudely made, or even machine made - but it has to be practically and functionally useless.
People see so many things in the paintings. Although I never think of them, it charms me a little bit that people actually project actual scenarios on to the paintings. Hopefully that means that they have a little bit of life to them. Figuring out the rhythm, the structural element has been the key thing in this work, more than the color element. It really was the variety of different widths that lead to a certain movement, a rhythm. Otherwise I'd fall into anything that was too stripy or almost like bar codes, and it thwarted the natural flow of the painting.
Being in a successful marriage is no different than being cast in a successful movie. It's all about who you pick; in that first moment, did you pick the right person? I think you need to pick somebody who's more interested in being married than in getting married.
I try to see what that person is thinking or feeling about that particular day. I just get more of a sense of what that person's like and hopefully it's more interesting than a normal conversation.
That means that every human being - without distinction of sex, age, race, skin color, language, religion, political view, or national or social origin - possesses an inalienable and untouchable dignity.
I'm a painter, that's where I started out, at four years old, that was my first love as far as expression. So, I'm not a painter in the sense of, "Please come see my paintings" but, I do understand the value of not looking over the artist's shoulder while the work is in progress.
Related Authors
Ai Weiwei Quotes
Chinese
Artist
Andy Warhol Quotes
American
Artist
Claude Monet Quotes
French
Artist
David Hockney Quotes
English
Artist
Gerhard Richter Quotes
German
Artist
Henri Matisse Quotes
French
Artist
Kehinde Wiley Quotes
American
Artist
Leonardo da Vinci Quotes
Italian
Artist
Marcel Duchamp Quotes
French
Artist
Marina Abramovic Quotes
Serbian
Artist
Maurice Sendak Quotes
American
Artist
Michelangelo Quotes
Italian
Artist
Paul Cezanne Quotes
French
Artist
Robert Genn Quotes
Canadian
Artist
Robert Henri Quotes
American
Artist
Yoko Ono Quotes
American
Artist