A Quote by Helen Garner
I used to feel an obligation to invent things. I felt I was a failure because I didn't do massive great novels about Australia or the outback or something. I just don't feel that any more.
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I'm very grateful to be in a position now where I have a lot more control to tell the stories I want to tell. I feel no obligation to tell any one story. I will tell you my interest mostly lies in telling stories about empowered women, but I don't feel it's an obligation. But I do feel like I am servicing a voice.
Australia lives with a strange contradiction - our national image of ourselves is one of the Outback, and yet nearly all us live in big cities. Move outside the coastal fringe, and Australia can feel like a foreign country.
There's something really liberating about feeling great in what you work out in because when you feel great in the gym, then you are just going to do a better job. You'll feel more comfortable, which will allow you to push your limits.
I feel a big obligation to the audience, almost in a moral sense, to say something useful. If I'm going to spend a year of my life on these things, I want something that I feel that strongly about.
I guess when someone tells you something they they usually guard, you feel privileged, not because you know something no-one else knows, but because you feel chosen. You feel like that person wants her life to intersect with yours. I think that's what felt best about it.
We feel no obligation to follow the news cycle. In other words, I felt no obligation to cover story in anyway, because we're not like I said, we're not journalists. And at that point, there's nothing sort of funny or absurd or to say about it.
Sometimes I'll go for something more because of the story, or more because of the director. But, generally, I have to feel like it's something that I have a real sympathy for - a person that I can completely go, "Oh, wow, oh, I'm there." Otherwise I don't feel like I will be able to pull it off at all. I know I haven't done everything very well in the past; some things have worked and some things haven't. But I need to feel like I can feel about the person, understand that person, I suppose.
I always felt, and I still feel, that the media doesn't belong in a public official's private life. It's a very difficult balance, because if you are elected to public office, people have a right to know a great deal about you, and the press has an absolute obligation to report all of that. But the reality is that there are times in which the reporting is really happening for almost voyeuristic reasons, in the gossip columns. Maybe half of it is wrong, and half of it is correct, and a lot of it is exaggerated. You've just got to get used to that if you're in public life.
Failure's relative. I've always felt, even early on, if I lose the freedom to fail, something's not right about that. It's how you treat failure, too. There's something to learn from it. I've had movies that have failed colossally, so you kind of analyze your failures: What kind of failure was it? A failure because it's misunderstood by others? A failure because you misunderstood it yourself?
If I feel love, I just want to feel more love. And if I feel a bit of peace, I want to feel more peace. But I don't really have any great ambitions. I feel very happy. I've got a lot of good friends. I just want it to be better and more of it, really.
When we put the pen to paper, we articulate things in our life that we may have felt vague about. Before you write about something, somebody says, 'How do you feel?' and you say, 'Oh, I feel okay.' Then you write about it, and you discover you don't feel okay.
So if there was a way that I knew something about my character's desires or the things that they were resisting because I was saving it for some grand epiphany moment for my readers, I just feel like that's when you can feel the machine at work in a story. That's when you can feel the writer pulling the strings of the puppet.
Personally, the message that I would like to convey to everyone is just that life is really great and you can do whatever you want with it. That's what I feel like I've gotten out of my experience with the band, because I have done so many amazing things that I never thought I would get to do-and I don't really feel like I'm any more qualified than the next person. I feel like people should take their goals seriously and do exactly what they want, because they can.
Sometimes I think I shouldn't explain much about my work because people will just feel what they feel when they see it. They'll love it or hate it or enjoy it on their own, like how I've looked at abstract paintings of other artists and cried or felt happy because I've felt, "Wow, I've lived that, I've understood that."
If I just wear something because I feel like myself and I'm comfortable, that's okay - and that goes even for more edgy things. But if I try too much, or if I even try, it doesn't work. It doesn't feel natural, and I feel very uncomfortable.
In my relationship with God, I've learned that if I follow a 'formula' for how I spend my time with Him, then I'm just accomplishing a checklist of things I feel obligated to do to please Him. This makes my spiritual life more about doing what I need to do to fulfill an obligation than something meaningful.
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