A Quote by Helen Gurley Brown
I think you keep two sets of books. In one set, you record the truth -- how well you are really doing. This is the secret set -- just for you and loved ones. In the other set are more modest entries and statements, and these are for public consumption!
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I really believe that the raw ingredient of any creative business is the set of experiences that the team has, the set of skills. I think a simple fact is that if you have a different set of experiences based on how you grew up or how other people perceive you, or if you have a different set of skills, that will produce a better company.
Women are more meticulous and methodical. But on the other hand, I feel if you go on a male-dominated set, which is mostly any other set, you don't ask how it was to be on a male-dominated set.
I grew up the son of a director and grew up on sets myself, so I was the kid getting dragged around from this set to that set and I loved it. There's something about it which is really interesting.
We'll run a lot of multiple sets - pro set, twin set, the box set, ... We'll run a lot of option plays and pass the ball more than in the past.
Interestingly, I'm more closed on set than I am off set. On set, I'm closed. I don't want input. I want to concentrate on what I'm doing with this other person. But outside of that, I'm open. I'm everybody's friend, unless they don't like me.
I would encourage you to set really high goals. Set goals that, when you set them, you think they're impossible. But then every day you can work towards them, and anything is possible, so keep working hard and follow your dreams.
Once we were on the set, we each did different kinds of work. I was doing more the technical stuff, the framing and the camera work, and she was working more with the actors. Marjane [Satrapi] and I don't stop speaking once we're on the set. We continue to talk. We define what our roles are going to be on set, because to have a snake with two heads is silly.
I don't really collect the mementos. I do steal books off of sets. If there's a library on the set, you can bet that I'll steal away with a book or two.
In the acting world, you can really only become good by practicing and doing it, and I just think every time you walk onto a set you just become better and better. I think I'm in a totally different space than I was back then on that first movie set.
I tell you this: You are your own rule-maker. You set the guidelines. And you decide how well you have done; how well you are doing. For you are the one who has decided Who and What You Really Are-and Who You Want to Be. And you are the only one who can assess how well you're doing.
We don't set out to save the world; we set out to wonder how other people are doing and to reflect on how our actions affect other people's hearts.
I never set out to make any statements about a specific character, I just set out to tell what feels like is a truthful story, a person that you and I might truly encounter.
I don't know what I am on set. I can be many different things on set depending on how stressful a situation is. But at the end of the day we're making movies, we're not saving the world... we're not an army, no one's lives are at risk and we're just trying to make art, so I think as long as you keep reminding yourself that's what it's about you can have fun.
Comic book fans have loved Wolverine, and all the 'X-Men' characters, for more than the action. I think that's what set it apart from many of the other comic books. In the case of Wolverine, when he appeared, he was a revolution really. He was the first anti-hero.
I caddied for a guy who was a very good player, and he gave me a set of clubs, just a starter set: 5-iron, 7-iron, 9-iron, putter and driver. I just loved it. How I developed my swing was to just grab a club and start banging balls.
Anyone can have bad sets. I saw one guy who I really love - I won't mention his name - gave a set that was really bad. And then one month later did the exact same set on our show and it was great.
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