A Quote by Helen Hayes

I'm leaving the screen because I don't think I am very good in the pictures and I have this beautiful dream that I'm elegant on the stage. — © Helen Hayes
I'm leaving the screen because I don't think I am very good in the pictures and I have this beautiful dream that I'm elegant on the stage.
It's not a natural translation, transition, to take something from stage to screen. Onstage your action is communicated through the spoken word primarily, and on screen it's communicated through pictures. So it's always been kind of unnatural to take something that lives on the stage and turn it into moving pictures.
Dear World, I am leaving because I am bored. I feel I have lived long enough. I am leaving you with your worries in this sweet cesspool. Good luck.
The Real is ever-present, like the screen on which the cinematographic pictures move. While the picture appears on it, the screen remains invisible. Stop the picture, and the screen will become clear. All thoughts and events are merely pictures moving on the screen of Pure Consciousness, which alone is real.
That was my original dream, anyway, to be on stage. I think the stage is an actor's place because actors, it belongs to you.
People think they know who I am, because I've played so many very, very out gay men on stage, and they think that's me
People think they know who I am, because I've played so many very, very out gay men on stage, and they think that's me.
People think that I am very innocent and elegant, but I am the complete opposite of that.
Do I love you because you're beautiful, or are you beautiful because I love you? Am I making believe I see in you, a woman too perfect to be really true? Do I want you because you're wonderful, or are you wonderful because I want you? Are you the sweet invention of a lover's dream, or are you really as beautiful as you seem?
TV depends very much on the pictures that you see on your television, and all the other things that come up on the screen, whether it be GFX, the studio or the pictures of the game.
Ralston looked down his long, elegant nose at the vile creature at his feet, and said, “You just impugned the honor of my future marchioness. Choose your seconds. I will see you at dawn.” Leaving Oxford sputtering on the ground, Ralston spun on one elegant heel to face Benedick. “When I am done with him, I am coming for your sister. And, if you intend to keep me from her, you had better have an army at your side.
I think what people respond to, and what they're responding to so strongly, is I'm very myself on stage. What you see in person is very much who I am on stage.
On things she had to pack before leaving her home in advance of a forest fire, 1996. Childhood pictures and pictures of my life. Do you know how many pictures that is? Not just this life; I have pictures from 13,000 lives.
I think I do become someone else. In real life, I’m very shy, but people think I’m this angry, sexy kind of... god knows what they think! And there I am in front of them, nervous and blushing and stuttering and whatnot. So I’m definitely not the person you see in pictures. I mean, in pictures, you look like something you’re not.
Music is able to make a person dream. When you dream, you dream of something good, something beautiful, and when you dream, you always dream of yourself better than you are.
I think comedy's harder to pull off on the screen than on the stage, anyway. Tragedy is easier on the screen... oddly enough.
Those who are esteemed umpires of taste, are often persons who have acquired some knowledge of admired pictures or sculptures, andhave an inclination for whatever is elegant; but if you inquire whether they are beautiful souls, and whether their own acts are like fair pictures, you learn that they are selfish and sensual. Their cultivation is local, as if you should rub a log of dry wood in one spot to produce fire, all the rest remaining cold.
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