A Quote by Helen Mirren
It seems to me that the years between eighteen and twenty-eight are the hardest, psychologically. It’s then you realize this is make or break, you no longer have the excuse of youth, and it is time to become an adult – but you are not ready.
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It seems to me that the years between eighteen and twenty-eight are the hardest, psychologically .
I read the other day that Minor White said it takes twenty years to become a photographer. I think that is a bit of an exaggeration. I would say, judging from myself, that it takes at least eight or nine years. But it does not take any longer than it takes to learn to play the piano or the violin. If it takes twenty years, you might as well forget about it!
Psychologically I should say that a person becomes an adult at the point when he produces more than he consumes or earns more than he spends. This may be at the age of eighteen, twenty-five, or thirty-five. Some people remain unproductive and dependent children forever and therefore intellectually and emotionally immature.
I tell my coach all the time "Hey, listen, coach. You know the hardest person on me isn't you, right? It's me." I'm the hardest person on myself, my biggest critic, always pushing. But there are days when I have to tell myself, "Relax, breathe, you're too stressed out." When it's no longer fun, when it's no longer something you can tolerate, that's when you have to take a break.
I was on Broadway for three years with Spiderman and that amount of time spent on a show - it's a grind being on Broadway. The people that do that are probably the hardest working people. I shouldn't say that, because there's a lot of hard work that goes on in film and television, as well. That consistency of the grind of eight shows a week - I feel ready to go back to it now after having a bit of a break. I like to have the chance to jump between different art forms, whether it be theatre, film, TV, music. It's really wonderful to have opportunities in different arenas.
The longer a woman remains single, the more apprehensive she will be of entering into the state of wedlock. At seventeen or eighteen, a girl will plunge into it, sometimes without either fear or wit; at twenty, she will begin to think; at twenty-four, will weigh and discriminate; at twenty-eight, will be afraid of venturing; at thirty, will turn about, and look down the hill she has ascended, and sometimes rejoice, sometimes repent, that she has gained that summit sola.
I didn't realize then that so much of being adult is reconciling ourselves with the awkwardness and strangeness of our own feelings. Youth is the time of life lived for some imaginary audience
There were nineteen years between my grandparents, and I was in a relationship for five years from the age of fifteen to twenty with a man who was thirteen years older than me who remains one of the loves of my life, and he passed away when I was twenty years old.
I'm so much more confident and sexy at thirty-eight than I ever was when I was eighteen or twenty-four.
Look, there’s no such thing as the master division to me. I’m going to compete as an adult until I realize I can no longer handle the new kids’ pace. Right now–at 28 years of age, Ican’t see myself stopping until I’m 34, 35 years old.
It seems to me that terrestrial beings, as they become more autonomous, psychologically richer, shut themselves up in a way against one another, and at the same time gradually become strangers to the cosmic environment and currents, impenetrable to one another, and incapable of exteriorizing themselves.
No great player blundered oftener than I done. I was champion of the world for twenty-eight years because I was twenty years ahead of my time. I played on certain principles, which neither Zukertort nor anyone else of his time understood. The players of today, such as Lasker, Tarrasch, Pillsbury, Schlechter and others have adopted my principles, and as is only natural, they have improved upon what I began, and that is the whole secret of the matter.
I don't suppose there's a man going, as possesses the fondness for youth that I do. There's youth to the amount of eight hundredpound a-year, at Dotheboys Hall at this present time. I'd take sixteen hundred pound worth, if I could get 'em, and be as fond of every individual twenty pound among 'em as nothing should equal it!
That's a big responsibility, and the details obsess me. And, also, I no longer feel I have to do the Tonight Show every time I open my mouth. Twenty years ago, I told myself I'd rather direct than act, and it's taken me this long. You lose your passion in acting. You make too many mistakes. Maybe that's why I make so many movies; if you don't like this one, another one's opening on Tuesday. But then I spent six months of my life on 'At Long Last Love,' a picture nobody saw. I enjoyed making it, I learned from it, I grew, but that's too much time out of my life.
After eight years on 'Young and the Restless' and eight years on 'Criminal Minds,' I'm ready for that next phase of my career.
I remember the first time I went to Italy when I was eighteen, I was in Florence and there were all these eighteen, nineteen, twenty-year-olds gliding past on Vespas with crinkly, long, hair, and I thought I was on the set of a movie. I couldn't believe that this was going on and I hadn't known about it before. I was flabbergasted.
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