A Quote by Helen Mirren

I always love working with young actors, because there's always something to learn. It's always exciting to see the next generation and how they approach things and what's great about them and what's not so great about them.
My favorite part about my job is not that it is never boring; it is that it is always exciting. There is always something new to learn. There is always something interesting to get from someone else. Whether it is an actor, or a sound engineer, there is so much to learn and there will never be nothing to learn. There is always something there.
I've tried to learn as much as I can about the great jazz singers to understand what makes them important, vital artists, but there is always something more to learn.
I always try to approach things from the point of authenticity. I've done that for my short films, working with non-actors from the real environments where you go exploring and placing them into the cast alongside professional actors.
I've always had an easy time directing actors because I always hire ones that are great before I get my hands on them.
The thing about great fictional characters from literature, and the reason that they're constantly turned into characters in movies, is that they completely speak to what makes people human. They're full of flaws as much as they are full of heroics. I think the reason that people love them and hate them so much is because, in some way, they always see a mirror of themselves in them, and you can always understand them on some level. Sometimes it's a terrifyingly dark mirror that's held up.
Everyone always asks me, 'What advice did they give you on set?' but when you work with amazing actors like Anjelica Huston, Winona Ryder and Tom Hanks, the special thing about working with these people is getting to act alongside them. You see the decisions they make and the things they do. You learn from what they do and follow their footsteps.
I have a brilliant sound design team who's been working with me since 'Mr. Robot,' and one of the things we always think about - and it's also something we think about with cinematography - is how we get inside the characters' heads and how do we place the audience where we want them to be or how we want them to feel at any given moment.
Something is always born of excess: great art was born of great terror, great loneliness, great inhibitions, instabilities, and it always balances them.
I feel like God blessed me to be successful and to have a couple of more things that a lot of people of where I come from didn't have or didn't see, but it ain't always about me. It's about empowering the next generation so that's what I love doing.
I always think about the next generation and creating a different blueprint for them. That's my goal: to let them know there's another way.
Beautiful tunes are all very good and fine, and great musicians are always great, but that alone isn't enough. Most folks, when they see movies or hear records, need something that they find pulls them in, draws them in, and appeals to them beyond just the notes.
I love both [Johnny English and James Bond] actually. The action sequences are really exciting because you're getting to work with some brilliant crew and do some great stuff but you always get some magic when you're working with actors.
I regret something about every single one of my roles. I always, always have something to regret about them, because I just think I didn't do well enough with them.
When you have a good friend that really cares for you and tries to stick in there with you, you treat them like nothing. Learn to be a good friend because one day you're gonna look up and say I lost a good friend. Learn how to be respectful to your friends, don't just start arguments with them and don't tell them the reason, always remember your friends will be there quicker than your family. Learn to remember you got great friends, don't forget that and they will always care for you no matter what. Always remember to smile and look up at what you got in life.
One of the great things about shooting in Los Angeles is you have access to all these great performers. We love working with ensembles, and that process of getting a great group of people together and setting them in motion.
The reason I love my job as education secretary is that it's all about the future. Everything I and my department do is about investing in the next generation, helping them to build on our generation's success, learn from our mistakes and giving them the tools to build a more successful and prosperous country.
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