A Quote by Helen Mirren

Two phrases I hate in reference to female characters are 'strong' and 'feisty.' They really annoy me. It's the most condescending thing. You say that about a three-year-old. It infantilises women.
When people say stuff to us casually in reviews, if they write about it in a condescending way with really gendered language, that's not really about me. It used to hurt my feelings more than it does now. That's not about us as a band or me as a person. That's about how you feel about women, and that's a societal thing.
I love playing strong feisty women, I really do, but if you were to ask my husband he'd probably say that I'm very insecure. And actually incredibly malleable, which isn't necessarily a good thing.
I'm really attracted to strong women. Let me rephrase that, I'm really attracted to strong female characters.
The beauty of 'The Hunger Games' and also 'Game of Thrones,' in fairness, both projects have really complex, three-dimensional, contradictory, strong women... The writing of female characters is extraordinary and equal to the men.
I'm attracted to films that have strong female characters because there are strong female characters in my life. That's my own reality, so it's a doorway into a world for me.
There aren't enough good roles for strong women. I wish we had more female writers. Most of the female characters you see in films today are the 'poor heartbroken girl.'
I would love to do a chick flick sometime soon, a film with strong female characters - when I say strong, I don't mean that they are changing the world, but just be real women.
Even while I'm really interested in playing female characters that are varied and interesting and dynamic, I'm not of the mind that you always want to play strong female characters. I think I just want to play characters that are interesting, and not all people are 'strong.'
I like complex characters. I've been very, very lucky to portray, in these past three years, characters that are strong and fragile at the same time. It's those characters that I'm looking for. In the last year and half I played three different religions, and that allowed me to educate myself so much.
I would say any film can be called feminist that has female characters who have agency in their life, that are in charge of their fate or do important things or take up half the space. I would consider a film feminist, I don't care what it's about, but if the cast was gender balanced, where it would be just as likely that the boss or the best friend or whoever was female. It's really as simple as showing women being in charge of their destiny and giving female characters a voice.
It's funny what [producer Richard Zanuck said about even though you can't quite place when the book or the story came into your life, and I do vaguely remember roughly five years old reading versions of Alice in Wonderland, but the thing is the characters. You always know the characters. Everyone knows the characters and they're very well-defined characters, which I always thought was fascinating. Most people who haven't read the book definitely know the characters and reference them.
To a female superhero her sexiness is not the most important thing about her, it's her mind, her spirit, and when I look at that character that to me is an example of characters that I like to play and I think it does a great thing for women.
I prefer to avoid the phrase 'strong women' when talking about female characters and the lack thereof or the need therefore, because it's not about being strong, it's also about being vulnerable, funny etc.
At another house two women learned very fast; I say women, but one was a girl about twelve or thirteen, already married, however. There was a little child about three years old. My sister asked, 'Who is the True God's Son?' The little thing replied, in a very sweet voice, 'Jesus.'
Most people view female directors as female only, that we only deal with women's issues and women characters. Although most of my films have dealt with women, I do have work that deals with other matters, and I'm always open to different stories regardless of gender.
Really good acting is not about dialogue. It's really just about small moments that really make the whole entire scene and the intention completely different than even maybe what the characters are saying. Two characters could be saying, "I hate you, and I don't want to be with you anymore!" But yet somehow, their toes are just inching more, you know, closer to each other. So a really big thing about acting is really just with your body.
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