A Quote by Helen Oyeyemi
I have been in love with Emily Dickinson's poetry since I was 13, and, like an anonymous post on findagrave.com says, 'Dear Emily - I hope I have understood.' Emily's poems are sometimes difficult, often abstract, on occasion flippant, but her mind is inside them.
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Some readers may be disturbed that I wrote 'The Secret Life of Emily Dickinson' in Emily's own voice. I wasn't trying to steal her thunder or her music. I simply wanted to imagine my way into the head and heart of Emily Dickinson.
I have a little tiny Emily Dickinson so big that I carry in my pocket everywhere. And you just read three poems of Emily. She is so brave. She is so strong. She is such a sexy, passionate, little woman. I feel better.
I was not really aware of the dystopian genre before I read 'The Handmaid's Tale.' Many poets as well, like John Donne and Emily Dickinson, would be the influences; I specialized in Emily Dickinson at university. Both of those poets have really interesting ways of looking at life and death.
Emily Dickinson has haunted my life - her poems, her persona, all the tales about her solitude. Ever since I discovered her in the seventh grade, I've had a crush on that spinster in white, who had such a heroic and startling inner landscape of her own.
No, I don't know any Emily Dickinson poems!
I was unnerved to learn in my twenties that the poems of Emily Dickinson that I had memorized as a girl were not the poems as she had written them.
Here you go, dear."" The corners of Mrs. Colbert's mouth curled up. "You like meat, don't you?" Emily blinked. Was it her, or did that statement seem...loaded? She checked Issac for his reaction, but he was innocently selecting a roll from a wicker basket. "Uh, thanks." Emily said, pulling the platter toward her. She did like meat. The kind you, um, eat.
Even the best critical writing on Emily Dickinson underestimates her. She is frightening. To come to her directly from Dante, Spenser, Blake, and Baudelaire is to find her sadomasochism obvious and flagrant. Birds, bees, and amputated hands are the dizzy stuff of this poetry. Dickinson is like the homosexual cultist draping himself in black leather and chains to bring the idea of masculinity into aggressive visibility.
She could become a spinster, like Emily Dickinson, writing poems full of dashes and brilliance, and never gaining weight.
Poetry, for example, goes so deeply into the space between corporeal affect and deep emotion (even primal in some cases) that, as Emily Dickinson said, it can blow the top of your head off. Poetic language is sometimes misunderstood as "abstract" when in reality, it's precise - precisely the language of emotions and the body.
I love Sylvia Plath and Anne Sexton. I also love more cerebral poets like H.D. and Emily Dickinson. My parents subscribed to a monthly poetry periodical, and as a teenager I was introduced to Denise Levertov, who was an influence.
When I had David and Emily I was a stay-at-home mum and I only went out to work when Emily was three.
Emily Dickinson calls previous poets her kinsmen of the shelf. You can always be consoled by your kinsmen of the shelf and you can participate in poetry by going to them and by trying to make something worthy of them.
Imagine wasting all that perfectly good anger on paranoid fantasies. Not since Emily Litella got upset about "Soviet jewelry" has there been such a waste of anger. You will notice a certain theme to these Emily Litella Moments. Behind them all is a touching faith that someone, somewhere is actually in charge of what's happening - a proposition I beg leave to doubt.
Poetry. I read Walt Whitman, Emily Dickinson, and Jane Hirschfield. I like to read Billy Collins out loud.
I offer Emily half of my hit of acid- Love Saves the Day. It's my second or third time tripping, Emily's first, and she's understandably trepid. Awake all night, at one point I find her touching her reflection in a cruelly lit dorm bathroom, asking if she'll ever be the same. I kiss her then for the first time and whisper, No.
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