A Quote by Helen Reddy
It took me a year to really learn the American lingo. I really feel for people who are coming here and don't speak English at all. It must be hell.
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There is a psychic gulf that exists between myself and my grandparents because they don't really speak English, and I don't speak Chinese, and that's my own personal shame because I did not learn, ever. I only saw my paternal grandma a few times in my life, and that's really crazy.
In our generation, everybody told us that it's really important and it's nice to be able to speak a lot of languages. It's an art, too. It really impresses me, people who speak, like, seven languages. I admire them so much, so I began with English, and then Spanish and maybe Portuguese.
Shakespeare is absolutely big in Africa. I guess he's big everywhere. Growing up, Shakespeare was the thing. You'd learn monologues and you'd recite them. And just like hip-hop, it made you feel like you knew how to speak English really well. You had a mastery of the English language to some extent.
When I speak in English, my expressions become different. My attitude, too. I'm not sure why, but there really is a difference. My hands move differently when I speak English.
I don't really identify with America, I don't really feel like an American or part of the American experience, and I don't really feel like a member of the human race, to tell you the truth. I know I am, but I really don't. All the definitions are there, but I don't really feel a part of it. I think I have found a detached point of view, an ideal emotional detachment from the American experience and culture and the human experience and culture and human choices.
Yeah, I did see where the people dissing me were coming from. But, it's like, anything that happened in the past between black and white, I can't really speak on it, because I wasn't there. I don't feel like me being born the color I am makes me any less of a person.
Ram Dass, Krishna Dass, we all spoke through interpreters. There were good interpreters there, educated people in India speak English but Maharaji was the One, the Baba, Holy Man, mendicant, he didn't speak English. We talked to him and it was hard to know him, he was an ancient holy man and I was a 21 year old seeker. So I never knew what was going on, I mean I don't really know what's going on now, my guess work is a little better perhaps.
I acquired more wealth, power, and prestige than most. But you can acquire all you want and still feel empty. It took a deadly illness to put me eye to eye with that truth, but it is a truth that the country, caught up in its ruthless ambitions and moral decay, can learn on my dime. I don't know who will lead us through the '90s, but they must be made to speak to this spiritual vacuum at the heart of American society, this tumor of the soul.
America has had an influence on me, as has going out with a Cuban-American guy and having lots of American friends. But I am still fundamentally British and speak with a British accent and feel very English.
I think Splash made people realize that I was still alive, and I think I inspired a lot of people. I have people coming up to me all the time in the airport saying, "Hey, you inspired me to learn how to swim!" "You inspired me to start moving around more." "You inspired me to start doing more for myself." So that was good. But mostly I took it because nobody had given me a job. And you know what really matters in life, right?
As far as getting work, no one thought I spoke English. It was absolutely ridiculous. I'd show up at a meeting and they'd be like, 'Oh my God, you speak English! That's so cool.' They didn't really know what to do with me.
I remember my parents taking me to see 'The Exorcist' in theaters when I was really young. They're Cuban and didn't really speak English, so I don't think they got that it was a movie about a girl possessed by the devil.
Joss Whedon writes beautiful drama. His sensitivity and his sense of drama and scenes are pretty exceptional. There's no one else writing like him, really, in sci-fi and TV. That's not to say there are no astonishing writers on TV. I was nervous about coming to America and playing an English person who speaks very English when all the writers are American, because it's a very particular thing to imitate, and if it's badly imitated, it sounds painfully contorted and silly. And he writes very well for English people. It was Joss Whedon who persuaded me.
I didn't want to be a director for hire. It really just took me a long time to learn how to direct and to feel up to the job.
I had a weird accent. Dutch people speak American English, and my parents were Jamaican, with their own broken English.
That first match there in Dallas for the G1 was the first time they'd really seen me work as a singles competitor in a really long time. This was kind of a coming-out party. I took it as an opportunity to really kind of reinvent myself. And really start the journey that is The Murderhawk Monster.
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