A Quote by Helen Rowland

The chief excitement in a woman's life is spotting women who are fatter than she is. — © Helen Rowland
The chief excitement in a woman's life is spotting women who are fatter than she is.
For woman's chief want is to feel that she is wanted. Therefore it is that with women, cruelty is more easily borne than coldness. Indeed, It is astonishing how much downright cruelty a woman will stand from the man she loves or has loved. What women admire is a subtle combination of forcefulness and gentleness. If a woman has to choose between forcefulness and gentleness, always she will sacrifice the latter.
One woman came up to me at a lecture and observed that I was much fatter than on television; I think I look better onscreen than in real life. It's the lights.
Hillary doesn't play. She has more experience and exposure to the presidency than any candidate in our lifetime - yes, more than Barack, more than Bill. So she is absolutely ready to be Commander-in-Chief on day one. And, yes, she happens to be a woman.
The strongest reason why we ask for woman a voice in the government under which she lives; in the religion she is asked to believe; equality in social life, where she is the chief factor; a place in the trades and professions, where she may earn her bread, is because of her birthright to self-sovereignty; because, as an individual, she must rely on herself.
I object to the hypersexualization of all the superheroines. Most of them have been hypersexualized, but especially to Wonder Woman, because she is an icon. She is up there with Superman and Batman. And she is the one who is the big influence on women. Women who don't read comics still know who Wonder Woman is.
We're here in this women's revolution - we're in this women's empowerment movement worldwide - and, if anything, women should stick up for each other and be like, 'No, she deserves everything she has, and she's worked hard as a woman.'
A seasoned woman is spicy. She has been marinated in life experiences. Like a complex wine, she can be alternately sweet, tart, sparkling, mellow. She is both maternal and playful. Assured, alluring, and resourceful. She is less likely to have an agenda than a young woman-no biological clock tick-tocking beside her lover's bed, no campaign to lead him to the altar, no rescue fantasies. The seasoned woman knows who she is. She could be any one of us, as long a she is committed to living fully and passionately in the second half of her life, despite failures and false starts.
Until the day she died, my mother continued to fight for the rights of women. She joined all the women's movements of the time; she stirred up a lot of revolts. She was a great woman, a great figure. Women today would like her immensely.
A woman cannot do the thing she ought, which means whatever perfect thing she can, in life, in art, in science, but she fears to let the perfect action take her part and rest there: she must prove what she can do before she does it, -- prate of woman's rights, of woman's mission, woman's function, till the men (who are prating, too, on their side) cry, A woman's function plainly is... to talk. Poor souls, they are very reasonably vexed!
There is no compensation for the woman who feels that the chief relation of her life has been no more than a mistake. She has lost her crown. The deepest secret of human blessedness has half whispered itself to her, and then forever passed her by.
Happiness is when you see your husband's old girlfriend and she's fatter than you.
Feminism has nothing at all to do with being 'feminine.' Feminine means accentuating the womanly attributes that make women deliciously different from men. The feminine woman enjoys her right to be a woman. She has a positive outlook on life. She knows she is a person with her own identity and that she can seek fulfillment in the career of her choice, including that of traditional wife and mother.
We're in a world where every single movie, if it has a woman in it, is usually wrapped around the woman wanting to be liked in some way, either in her life, or she's young, she's an ingenue, she's a hero, she's the lover of somebody, she's the grandmother, she's a chef.
In fashion, of course, the way that women are dressed now - and also a vision of the modern woman, the woman of today. She's very feminine, but at the same time, extremely free. A Saint Laurent woman is actually very Parisian. She's not really a man's equal, she's his adversary. I worked on the catwalk with two models who worked with Yves Saint Laurent for more than 10 years. They're not just gorgeous models, they're more than that - they're very smart and very beautiful. They're more than models, they're really unique; it's personality. It's more than just fashion.
There were a lot of different things [in The Women's Room ]. I don't really want to summarize it in this way. It's about a woman's awakening, a woman who came of age in the '50s and is a teenager - actually, she's a little bit older - in the '60s and part of the women's movement and how she ends up there.
Suspense is like a woman. The more left to the imagination, the more the excitement. ... The conventional big-bosomed blonde is not mysterious. And what could be more obvious than the old black velvet and pearls type? The perfect ‘woman of mystery’ is one who is blonde, subtle and Nordic. ... Although I do not profess to be an authority on women, I fear that the perfect title [for a movie], like the perfect woman is difficult to find.
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