A Quote by Helen Sharman

It's very exciting that people could actually live on another planet. — © Helen Sharman
It's very exciting that people could actually live on another planet.
When I was younger, I looked to actors like they were from another planet. You couldn't believe you could be anywhere near that world. It was exciting. I kind of like that.
Art wasn't for selling. Actually, we once did have an offer on Double Negative. Things could be sold actually - everything could be for sale. But we had very few buyers. I think it was Michael Heizer who said that the point was to have a bigger canvas, and I've used that expression quite a bit. But I was thinking today that a canvas has boundaries; it has limit to it. And for earthwork, it was the very openness and feeling that there were no boundaries that made it so exciting.
The planet is fine. The people are f****d. Because everyone is trying to save the planet. The planet doesn’t need that. The planet will take care of itself. People are selfish. And that's what they're doing is trying to save the planet for themselves to have a nicer place to live.
I actually don't meet very many men because they are, I guess, afraid to approach me or think that I'm from another planet.
In large Victorian houses with many rooms and heavy doors, the occupants could be mysterious and exciting to one another in a way that those who live in rackety developments can never hope to be. Not even the lust of a Lord Byron could survive the fact of Levittown.
Buddy Rich was one of the most incredible technicians in the world, on this planet, but the only people he could really impress, who knew what he was doing was another musician or another drummer.
I think fame became exciting for me in the late '90s because I could actually use it as a means to an end. I could actually have it help me serve my vocationfulness.
When you venture at life with curiosity, you can learn from anything. You learn from things that you could never maybe thought you could learn from. And when you actually step into the room with a lot of people who have an education in a classroom, that is very similar to other people's educations, you'll actually come with a unique perspective that could be a valuable perspective that creates an innovation that could change the world.
It's very, very exciting that it worked out in the end that we are actually detecting things and actually adding to the knowledge, through gravitational waves, of what goes on in the universe.
The people who are working, paying their taxes are put into the system so that affordable housing could be built in neighborhoods that they probably live in that. That they may not want to, they may pay a premium so that they could live where they want to live and you end up with just another massive redistribution of wealth.
I am myself a professional creator of images, a film-maker. And then there are the images made by the artists I collect, and I have noticed that the images I create are not so very different from theirs. Such images seem to suggest how I feel about being here, on this planet. And maybe that is why it is so exciting to live with images created by other people, images that either conflict with one's own or demonstrate similarities to them.
Black music has always known, and not been afraid to acknowledge just how high the stakes of Black thought are. To summarize the final soliloquy of Clay, the protagonist in LeRoi Jones’ (aka Amiri Baraka’s) play Dutchman. You’d better be glad Charlie Parker could play him some horn and Bessie Smith could sing, because if they didn’t make music they might murder you. One would be hard pressed to find another group of people on this planet whose music is a surrogate for murder. One would be hard pressed to another group of people on this planet whose life is a proxy for death.
Our instinct may be to see the impossibility of tracking everything down as frustrating, dispiriting, perhaps even appalling, but it can just as well be viewed as almost unbearably exciting. We live on a planet that has a more or less infinite capacity to surprise. What reasoning person could possibly want it any other way?
The most troubling loan we had was actually to the 'Octomom'. That was a terrible situation, and we worked very, very hard to move her to another home that they could afford.
We live in an age of music for people who don't like music. The record industry discovered some time ago that there aren't that many people who actually like music. For a lot of people, music's annoying, or at the very least they don't need it. They discovered if they could sell music to a lot of those people, they could sell a lot more records.
It seems to me that whatever path you choose to take, in the end its up to each of us to try, test and live what we find out, to apply it and see what actually works, and that's the exciting and challenging part of this very real adventure.
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