A Quote by Helen Skelton
Everyone asks me how to get into television. Ultimately, you have to work for free for years. As much as we enthuse about diversity, we are never going to be truly diverse because the system means only a certain section of society can do that.
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I'm a take-no-prisoners type of comic, and I'm lucky because my fans get me and never have a problem with the politically incorrect themes of my act. But I am continually amazed by how a certain section of our society seems to be so freakin' sensitive about jokes.
I wouldn't say I'm the anchor, I'm the one person who sees everyone at work - I don't get to see a lot of people outside of work too much because I'm there all the time. Everyone asks me "how you doing, have you slept?" so I know I'm working long hours.
I would say that in 2000, we understand as much about how today's system of globalization is going to work as we understood about how the Cold War system was going to work in 1946.
I've done a lot of theater work that has been quite diverse. I feel very fortunate to have had many different people think of me in many different ways. So, as an actor that's all you - all I want is diversity. So far in film and television work I have done has not been as diverse, and I hope it grows to be.
The threat to free television. The reason television is free is because it is a life support system for commercials. That fundamental aspect is about to change.
The end is what you want, the means is how you get it. Whenever we think about social change, the question of means and ends arises. The man of action views the issue of means and ends in pragmatic and strategic terms. He has no other problem; he thinks only of his actual resources and the possibilities of various choices of action. He asks of ends only whether they are achievable and worth the cost; of means, only whether they will work. ... The real arena is corrupt and bloody.
For me, I want to see diversity in storytelling sources because we live in a very diverse society, and the stories are for the whole society. That's really important. For me, as a female filmmaker, when I was out on the festival circuit on 2006, I felt like such a freaking anomaly - an oddity.
Diversity is such an interesting word. I feel like when people hear the word 'diversity,' they think that it means only people of color, when in reality, diversity is all-inclusive; it means everyone.
Everyone knows how much Australia means to me. I try to get back here as much as I can, but normally it's for work, so I'm in and out and jetlagged and stressed.
Vanity is something that will only get in the way of doing your best work, and ultimately if you're truly vain you care more about your work than how you look in your work. I actually consider myself a pretty vain guy when it comes to that.
It's hard because you can't legislate creative diversity. I think it's more that the gaming community's more diverse, and they're going to ask for more diverse experiences. They're going to demand them.
We're all weirdos, and people want to work so hard to fit into society, but it's like, no matter what you do, you're never going to be what society depicts as what's perfect, because that's not real. The only point that you have to make is that 'I'm being me.'
As you leave these gates and re-enter society, one thing is certain: Everyone out there is going to hate you. Never tell anyone in a roadside diner that you went to Harvard. In most situations the correct response to where did you go to school is, "School? Why, I never had much in the way of book learnin' and such." Then, get in your BMW and get the hell out of there.
Society can give its young men almost any job and they'll figure how to do it. They'll suffer for it and die for it and watch their friends die for it, but in the end, it will get done. That only means that society should be careful about what it asks for. ... Soldiers themselves are reluctant to evaluate the costs of war, but someone must. That evaluation, ongoing and unadulterated by politics, may be the one thing a country absolutely owes the soldiers who defend its borders.
Because in the feudal system of that period at least 80% of people lived in villages, so it's very simple to get a cross-section of society in a single village. You get the microcosm of the social macrocosm.
I think everyone is always asking themselves, How is my work meaningful, how is my life meaningful? As I get older, I feel like who I am as a person and a citizen is more important than who I am in my work. But I do think it reframed slightly for me, how much I have to care about a project in order to want to do it. Sometimes, obviously, you have a take a job for money. But I think I'm quicker now when I get a script that's, say, borderline misogynist, I'm not going to go in for it. I'm thinking more about what I'm putting into the world.
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