A Quote by Helen Slater
In the comics, Supergirl is quite, um, buxom...so I hope people won't come to the film expecting that.
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I tend to bristle at people praising alt comics as some kind of perfect comics paradigm, because there's quite a lot of misogyny in its history as well. Like, in my first comics class, every single great comic creator we studied was male.
Um, Dr. Alexander, there’s a couple out here who say they’re related to you. They…um…they’re biker people. (Nurse) Hey, Julian. Tell Attila the Hun here that we’re okay so we can come and ooh and aah over the babies. (Eros)
I feel like certainly there are people expecting 'Looking' to be representative of everyone that's gay, the entire gay community. And it's a dangerous expectation to come in watching the show expecting that. Expecting that out of any show.
As you go through history, I didn't think it was going to get quite this close. So it's just one of those recurring things. I hope this doesn't come true in our country. Maybe the film will waken people to the situation.
A lot of people will refer to comics by number to me, and I'll realize they're expecting me to remember all the comics by number. And I can't even remember what I ate this morning, let alone which comic was #473!
I like collecting comics, I like buying comics, I like looking at comics, but I also read comics on digital readers, so any way people read comics is fine with me. Digital is just helping people who might not necessarily have access to comics help them; that's great.
Comics as art. I do comics as comics, and my opportunity to tell stories. Simple. Basic. Let the characters have the excitement, not the package. That's where I come from.
There is something that might be called cinematic beauty. It can only be expressed in a film, and it must be present for that film to be a moving work. When it is very well expressed, one experiences a particularly deep emotion while watching that film. I believe that it is this quality that draws people to come and see a film, and that it is the hope of attaining this quality that inspires the filmmaker to make his film in the first place.
I love comics work, and I hope I never stop doing it. But at the same time, I have my own law practice that I've built up over quite a while - it's been more than a decade that I've spent building that business - so it seems a little premature to just shut it down after nine months of working at a high level in comics. We'll see.
Of course, every actor wants to play as many roles on the Richter scale as they can, and Rachel Koresh certainly is very different from Supergirl, but she shares a lot of the strength that Supergirl has.
Now because the film industry is what it is, if people are expecting a certain film genre and they're not getting it, there are howls of outrage.
My favorite action movie growing up was 'Supergirl.' It wasn't good by any stretch of the imagination, but it was my favorite because I wanted to be her. I have a Supergirl tattoo.
The magic of comics is that there are three people involved in any comic: There is whoever is writing it, and whoever is drawing it, and then there's whoever is reading it, because the really important things in comics are occurring in the panel gutters, they're occurring between panels as the person reading the comics is moving you through, is creating a film in their heads.
At the time I left film school there wasn't a lot of hope for young film-makers. It was a calling card of film school to be quite slick and commercial, which might lead to getting some stuff on telly.
Even if the film doesn't come out quite as you'd hoped, the process can also be very rewarding. I feel that way about a film called 'Lay the Favorite' that I made with Stephen Frears. I did that because the character was a real leap for me. The film doesn't quite all add up internally, but I feel very proud of what I did on it.
I’ve always thought that if comics are a part of pop culture [then] they should reflect pop culture, but a lot of the time comics, superhero comics especially, just feed on themselves. For me, comics should take from every bit of pop culture that they can; they’ve got the same DNA as music and film and TV and fashion and all of these things.
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