A Quote by Helen Suzman

All these stories are grist to the mill of the government because they build up a very useful war psychosis. — © Helen Suzman
All these stories are grist to the mill of the government because they build up a very useful war psychosis.
Artists are like cockroaches; everything is grist for the mill.
The wonderful thing about being a writer is that everything that happens is grist to the mill.
Numbers instill a feeling for the lie of the land, and furnish grist for the mathematical mill that is the physicist's principal tool.
You don't have to have angst to be an artist, but it's grist to the mill. If you want to explore the whole emotional spectrum in your work, it helps to have experienced intense emotions.
The twisted circumstances under which we live is grist for the writing mill, the loving, hating and discovering, finding new handles for old pitchers . . .
Theologians have a great problem because they're seeking to speak about God. Since God is the ground of everything that is, there's a sense in which every human inquiry is grist to the theological mill. Obviously, no theologian can know everything.
My opposition to war was not because of the horrors of war, not because war demands that the race offer up its very best in their full vigor, not because war means economic bankruptcy, domination of races by famine and disease, but because war is so completely ineffective, so stupid. It settles nothing.
I've lost both parents in the last two years, so you pick up on that stuff. That's the most terrible thing about being an author - standing there at your mother's funeral, but you don't switch the author off. So your own innermost thoughts are grist for the mill.
For the personality, bankruptcy or failure may be a disaster. For the soul, it may be grist for its strangely joyful mill, and a condition it has been secretly engineering for years.
Most politicians - those people who live, eat and breathe politics - like to sit around and talk about politics and tell political war stories. Reagan didn't do that. His war stories were movie war stories and Hollywood war stories. He loved that.
The theatre has always been voraciously omnivorous. Dramatists have always raided every medium to find grist to their mill: myths, folk tales, newspapers, novels, films, works of art of all kinds.
Why? is the boy's motto, why does, why is, why not? Food, weather, time, fires, sea and season, clothes and cars and people; it's all grist to the mill of why.
View all problems as challenges. Look upon negativities that arise as opportunities to learn and to grow. Don't run from them, condemn yourself, or bury your burden in saintly silence. You have a problem? Great. More grist for the mill. Rejoice, dive in, and investigate.
Art has been hijacked by nonartists. It's been taken over by bookkeeping. The whole thing is so corrupt. But I suppose that's okay. For artists, everything is grist for the mill. Artists are like cockroaches; we can't be stamped out.
As I came through medical school, it was very exciting because physicians were reaching out to each other, between the U.S. and the Soviet Union, and sort of helping to build bridges among, you know, people, people who were not allowing our government to pit us against each other and to actually take us to the brink of nuclear war. And Physicians for Social Responsibility wound up getting a Peace Prize, a Nobel Peace Prize, which they shared with International Physicians for the Prevention of Nuclear War.
I felt audiences are happier to take comedy people who play darker people because there's a link between the psychosis of comedy and the psychosis of being a twisted character.
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