A Quote by Helen Vendler
One could say that artists are people who think naturally in highly patterned ways.
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Artists are, I think in general, compassionate people, and part of what makes us artists is that we're open-minded people, and I think we're almost, by definition, progressive in a lot of ways.
This is true even in organizations that are very focused on analysis and quantitative measurement, even among people who think of themselves as smart in an MBA sense. In highly successful change efforts, people find ways to help others see the problems or solutions in ways that influence emotions, not just thought.
If all I hired were cake decorators, our cakes would just look like cakes that people decorate. We do astounding work at Charm City Cakes and to do that you need people who think in astounding ways. Artists just think in different ways.
We, as artists, we have the right to express ourselves. That is our first amendment, freedom of speech. But I also believe that we have an obligation to the youth to be somewhat responsible in what we say on records. But I think that comes with age. I think that comes with artists growing up and becoming assured of who they are as people.
I used to always say - and I think a lot of artists think of it this way - that when you see a black figure, the way the critical establishment operated, you can only imagine that figure having a sociological value. They never say the ways in which their aesthetics were equally worthy of consideration.
I think the role of artists in the past was very different. Artists had less responsibility in many ways.
Designers + artists see potential in things where others do not. I think artists in many ways are the original entrepreneurs.
I think in some ways, whether you've ever actually been to Portland, people definitely understand this highly curated niche lifestyle, because a lot of people are sort of striving for that now. Or they're hating on it.
Right now, black female artists are the most interesting people to think about. People are ready to hear whatever we're gonna say, and I'm not scared to say anything.
Human relationships are patterned and cross-patterned and restricted and limited and delimited and caged and freed again by the elaborate conventions, rules and games which we call civilisation. They're often absurd and farcical, and sometimes they're tragic, yet we acknowledge that they are necessary.
Give me the judgment of balanced minds in preference to laws every time. Codes and manuals create patterned behavior. All patterned behavior tends to go unquestioned, gathering destructive momentum.
I could be shooting myself in the foot, but in some ways, I feel I've said all I've needed to say when to comes to, say, the 'X-Men.' I think I've hit the bright points, I think I've hit what I wanted to hit, and I can be happy moving on doing other things.
Even writing verses from my first album, there were songs that I didn't use because I just felt that they weren't really for me. But I think that happens naturally when you write songs. You're in a different mood in every session. There's so many songs out there that could potentially be used by other artists.
I would say I locked into my persona pretty early; I wouldn't say it's how I am naturally, but it's how I am naturally when I'm on a stage in front of people. That anxiety makes me be the character that I am.
We don't necessarily need so many artists. I recommend that many of the people who think they want to be artists should go into the American Friends Service Committee, or do government outreach to communities that don't have water, or that need seeds or ecological assistance. It would create a system in which people with engaged sensibilities and potential insight assist instead of imposing. I think it could leap right out of the art world into wonderful community action.
As a novelist, I suppose I can say that I'm highly articulate. But I know, as a person, in other ways, I'm not always articulate. I think we are all, from time to time, inarticulate, at some level, about some things.
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