A Quote by Helen Vendler

I wouldn't be very happy if a poet read what I had written and said, 'What a peculiar thing to say about this work of mine.' — © Helen Vendler
I wouldn't be very happy if a poet read what I had written and said, 'What a peculiar thing to say about this work of mine.'
It's a big thing to call yourself a poet. All I can say is that I have always written poems. I don't think I'm interested in any discussion about whether I'm a good poet, a bad poet or a great poet. But I am sure, I want to write great poems. I think every poet should want that.
Dialogue that is written in dialect is very tiring to read. If you can do it brilliantly, fine. If other writers read your work and rave about your use of dialect, go for it. But be positive that you do it well, because otherwise it is a lot of work to read short stories or novels that are written in dialect. It makes our necks feel funny.
When I've written for Bill Murray - I've written six films for him - people would read it and say, "Oh, that's so perfectly Bill." He'd read it and say, "Are you kidding? I can't say these words." So it's all about perception.
I once gave a workshop and I asked the women poets there, If you went back to that little town you've come from - these were from small towns - would you say, I'm a poet? And one of them said, If I said I was a poet in that town, they'd think I didn't wash my windows. And that stayed with me for so long, the sense of the collective responsibility of someone as against the individual thing it takes to be a poet.
It takes a very long time to read a script. I'll look at a script, but there are so many scripts. I remember once being at the dentist, and the guy was doing my teeth and telling me about the screenplay he'd written and he said, "Will you read it?" And I said "Oh...okay." And it turns out that it was about a dentist!
The first time I read Marx, all I knew was he had given rise to this [Soviet] system that was supposed to be more or less the devil's work. It's disconcerting to read what he had to say and see that a lot of it was very human and very decent and didn't seem to be the work of the devil at all.
I got into an argument with someone because I said I think 2Pac will be regarded as a great poet. They said he was just a punk gangster. People said the same thing about Francois Villon, and he's now considered the best French Romantic poet of all time.
I would be a liar if I said I don't care [about my appearance]; yes, I care. I found it very difficult, when I first became well known, to read criticism about how I look, how messy my hair was, and how generally unkempt I look. The nastiest thing ever written was written by a man, and I do remember that. I wasn't looking for it either, it was just simply in the newspaper I was reading.
I find myself absolutely fulfilled when I have written a poem, when I'm writing one. Having written one, then you fall away very rapidly from having been a poet to becoming a sort of poet in rest, which isn't the same thing at all. But I think the actual experience of writing a poem is a magnificent one.
I liked the kid who wrote me that he had to do a term paper on a modern poet and he was doing me because, though they say you have to read poems twice, he found he could handle mine in one try.
I think the term poet is a very exalted term and should be applied to a man at the end of his work. When he looks back over the body of his work and he's written poetry then let the verdict be that he's a poet.
Walt had a seat-of-the-pants approach on what he wanted musically. We kind of 'read' the boss and had a very high batting average, but there were occasions when he felt we had just written the wrong piece for the situation he wanted. We invariably listened to what he wanted - he was very descriptive in what he wanted and we could read him. We'd go back to the drawing board and work out what he wanted. He was a great inspiration, but a tough taskmaster.
An agent friend of mine who will remain nameless said you can't make a romance about homeless people; nobody wants to see them kiss. And I thought, what a repulsive, repugnant, extraordinary thing to say. I had to think about the fact that the world is probably full of other people who feel like that. The very idea that we spend time trying to humanize humans is extraordinary to me.
It's very difficult for me to look at politics with clear eyes. I'll read a story in the paper and the first thing that pops into my head is, what would my dad say about that? Then I try to break out of that and think, 'What would Said say about that,' and then it gets complicated.
"When you wake up in the morning, Pooh," said Piglet at last, "what's the first thing you say to yourself?" "What's for breakfast?" said Pooh. "What do you say, Piglet?" "I say, I wonder what's going to happen exciting today?" said Piglet . Pooh nodded thoughtfully. "It's the same thing," he said. "What's that?" the Unbeliever asked. "Wisdom from the Western Taoist,"I said. "It sounds like something from Winnie-the-Pooh," he said. "It is," I said. "That's not about Taoism," he said. "Oh, yes it is," I said.
How far we are going to read a poet when we can read about a poet is a problem to lay before biographers.
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