A Quote by Helena Bonham Carter
It's different when you're an actor and playing a part, but when it's just you, you feel immensely vulnerable have strangers prodding and prying.
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The music brings me confidence and freedom. It's also the thing that can make me feel the most vulnerable. Once I finish writing all the songs for an album, once I actually record them, that whole process is usually easy and enjoyable. The part where I feel the most vulnerable is when it's all finished, I can make no more changes, I've turned it in, and there's no going back. All of a sudden I hear the songs in a different way; that's when I feel vulnerable.
I think directors can be a little insensitive to how vulnerable an actor is, when he's giving a performance. Part of the job of an actor is to invite scrutiny, but with that, the people around them have to nurture that and put them in an environment where they feel safe and they feel like they can risk something.
Since I'm not a method actor, I don't actually feel angry or feel that I'm being mean, I just do it because I'm acting the part, doing my job and playing the role.
I think being an actor in general is acknowledging that we are constantly playing different roles, that we have all these different parts of ourselves and instead of pretending that you are just one thing, as an actor you get to admit that you've got all this stuff going on.
It's much easier to put yourself out there under the guise of a character. You get a different name, different habits, different words. When I have to just be Nathan, that's when I feel vulnerable.
The challenge for me as an actor is if you become a celebrity, you don't meet strangers anymore. And strangers are where we have our anonymity. And I believe it's essential for the soul to be anonymous, especially if you're going to be an actor.
We are not what we seem. We are more than what we seem. The actor knows that. And because the actor knows that hidden inside himself there's a wizard and a king, he also knows that when he's playing himself in his daily life, he's playing a part, he's performing, just as he's performing when he plays a part on stage.
I feel vulnerable every day to the grace of God as expressed in every living thing. I feel vulnerable to the astonishing beauty of being alive and to Mother Nature. I feel positive when I feel vulnerable, because it's another reminder that it's not all about me and about my ego. And I actually think it's courageous to be vulnerable, and it's not something to be avoided.
I just love the whole art form of acting, of being in front of a camera and playing different things. Not that I would ever say I'm the greatest actor in the world, but I am capable of playing different kinds of roles that emotionally I could get into.
Sometimes perception is almost more important than the skill level of an actor. And if you give too much away, you have nothing to take for yourself and put onscreen. If people feel like they know you too well, they won't be able to indentify with the character you're trying to portray. Or they'll feel that you're just playing yourself, and then you just become a personality actor. And that's the death of any actor.
Because I feel as actors we are required to be vulnerable, it is a part of our job. So the space that you are being vulnerable in should respect that, otherwise it is not worth it.
I wouldn't say I'm a method actor. I do research when I feel I don't have enough experience for the part I'm playing.
A lot of the people in San Francisco think of themselves as healers - not just as people delivering this base service, but giving their clients spiritual help. It's almost like being an actor, playing a different part for each trick.
It's not hard to connect with the music on an emotional level and get inside the songs. It's odd, very vulnerable, and slightly embarrassing to be standing and singing and playing music in front of a bunch of strangers.
It's like playing tennis, you play a different rally with different people. Every actor is different and the chemistry between actors is different.
Every actor has a different temperament. Part of my job is to know what those boundaries are. The actor has to know you'll be there at the other end, that you're trying to represent them in the best light, who they are as they're harnessing these roles. The methods vary from actor to actor.
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