A Quote by Helena Bonham Carter
Most of my relationships were people in the business. Having said that, me and Tim don't really talk that much about work. He comes into my bit of the house every so often to vent but we don't really have very high, cultured conversations.
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New York is breaking my heart. I’ve often said that it’s like having a really interesting boyfriend suddenly becoming really, really into wine, and having to have endless conversations about it.
It just struck me as really odd that there were all of these conversations going on about what young women were up to. Were young women having too much sex? Were young women politically apathetic? Are young women socially engaged or not? And whenever these conversations were happening, they were mostly happening by older women and by older feminists. And maybe there would be a younger woman quoted every once in a while, but we weren't really a central part of that conversation. We weren't really being allowed to speak on our own behalf.
I've been my most happy and my most unhappy in relationships. I have family and friends and people I care very much about. I've got a really, really, really good life.
In personal conversations between director and actor, the male directors that I've worked with are just as emotional. Maybe it's because I had to start having very intimate conversations with adult men at a very young age in order to get the work, but I'm really comfortable with dudes. I mean, we push boundaries in this business in terms of getting to know people.
Given that all our lives rest on work that defines us, the business of labor, the wealth that work manifests itself to, I find it odd that not much is written about it. We talk about relationships, damage, adultery, revolution, but we don't talk about work.
I have very intense conversations with friends, people I really interconnect with. We talk about politics, important things. I like to talk about ideas and get people to be specific.
I think that having comedy where people talk the way they really talk, when you talk with your friends and whatever, it's really, it's important. Or else you're making stuff that's a little bit watered down and irrelevant.
For me, every book is a journey - questioning a really difficult topic that most people don't want to talk about, much less write about. And that's what I need; that works for me as a writer.
I hired a publicist once I got cast in 'Passing Strange,' and one of the first conversations we had was about how I wanted to handle talking about my sexuality. I said, 'It's never been an issue for me. I want to talk about my work, but if something about myself relates to my work, of course I'll talk about it.'
When I do interviews, sometimes I'll just be like "Why the hell did I say that?" because after I hang up the phone I realize there were so many things I could have said, but my brain just goes on lockdown. There's something about having conversations with people that's so much different from just singing and playing guitar. And I think a lot of people are actually performers because of that. I can't really explain why. It's like just the only chance you have in life to feel really good and outgoing.
[Directing first film:] I was terrified, it was really very scary because there is a lot of responsibility. I think I was terrified because I wanted it to work so much. A lot of actors direct movies but I thought the stakes were kind of higher for me because I really, really cared. [...] I just worked as hard as I possibly could on every single thing, every single day. I said that if this failed it would not be because I didn't work as hard as I possibly could...every day.
It's funny because you do often read in recounts of very famous albums, people tend to focus on mistakes in really positive ways, and there's certain mistakes of my own that I always do find on every record that I needed to accept. I find it really interesting to talk about. I always write songs at the wrong tempos, and I have to learn to accept that a little bit.
To nurture the sort of relationships that will truly help propel you towards accomplishing great things, you need to forget transactional networking and focus on having in-depth conversations with fewer people about subjects you really care about.
Lyrically, you know, most of the things on 'Rumours' were very autobiographical and very much conversations the three writers were having with other members of the band.
Smoking pot makes people talk for long periods of time, for instance, so people who advocate pot won't shut the hell up about it. On the other hand, no one really needs to defend drinking. That's something that frustrates me as a comic: I have to play clubs where selling booze runs the business, so crowds get drunk and yell out a bunch of stupid stuff at me. Pot doesn't cause people to do that. I did a show in Amsterdam a few months ago, and people weren't yelling stuff out at all. They also weren't laughing very much, but I think they were still having a good time.
I know there were periods of times where I didn't feel understood, and there were very few people around me that I felt like they really got me. There was one person who was sort of the one in my life that really got me.In general, I felt a little bit on the outside and not totally included. There was a period of time when we were moving around a lot. So I couldn't really hold on to a certain set of friends. And so that was a little bit difficult.
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