A Quote by Helena Bonham Carter
Wearing corsets all the time was completely incapacitating, as far as digestion goes.
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I am used to wearing corsets. Even when I was first starting out it was either Shakespeare or Chekov. Everything that I was doing involved corsets. I guess I am just not destined to breathe that deeply.
I actually enjoy wearing the corsets required in some period films.
Haemophilia itself is bad enough. It is disabling day by day, even if far less incapacitating than in the 19th and early 20th centuries. But the added burden of life-threatening further illnesses from contaminated NHS blood is far worse.
I'm not really one to go out in public in dresses too often. I definitely mix it up between masculine and feminine all the time, but wearing a dress goes a little bit too far.
I'd love to be in a 1910s film - the era between the corsets and losing the corsets.
Trauma never goes away completely, it changes perhaps, softens some with time, but never completely goes away.
Digestion is quickly shut down during stress…The parasympathetic nervous system, perfect for all that calm, vegetative physiology, normally mediates the actions of digestion. Along comes stress: turn off parasympathetic, turn on the sympathetic, and forget about digestion.
By the end of his life, one has a far easier time picturing Hugh Hefner buying his girlfriend a comfy pair of slippers than one of the satin corsets the Bunnies used to wear.
Man goes far away or near but God never goes far-off; he is always standing close at hand, and even if he cannot stay within he goes no further than the door.
My friendship with Martin [Schulz], by contrast, is completely different in that it goes far beyond politics.
What I'm wearing changes everything about how the show goes. If I'm wearing blue jeans and flannel, it's going to be a country show, and I'm going to get my twang on. But if I'm wearing a flapper dress, fringe or sequins, I'm rocking out, Tina Turner style.
I'm drawn to intergenerational tension, and it must have been strong in the 1920s: I wondered how Louise's [Brooks] generation of flappers appeared to the women who came of age at the beginning of the century - wearing corsets, long skirts, and high collars.
Anyone who stands on the edge of the unknown, fully in the present without reference point, experiences groundlessness. That's when our understanding goes deeper, when we find that the present moment is a pretty vulnerable place and that this can be completely unnerving and completely tender at the same time.
Women's scars and rituals involved beauty (piercing ears and noses, binding feet, and wearing corsets); men's involved protecting women. In cultures in which physical strength is still the best way to protect women, as among the Dodos in Uganda, each time a man kills a man, he is awarded a ritual scar; the more scars, the more he is considered eligible.
I think I've still got a bit of a sado-masochistic streak in me, because if I'm not going to be restricted by corsets and covered in lace, then I still wind up wearing an ape-mask over my face. I do wonder how I get myself in these situations!
The first time I re-discovered the joy of watching an action movie was when I saw 'Die Hard.' It was a completely simple plot - a guy goes to meet his wife, and the building gets taken over by terrorists - but I was completely blown away. Great characters, and it moved along really fast.
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