A Quote by Helene Hanff

I never overcame my conviction that writing for commercial television was a kind of prostitution. — © Helene Hanff
I never overcame my conviction that writing for commercial television was a kind of prostitution.
What I never overcame is a kind of shyness.
It's no accident that Julia Child appeared on public television - or educational television, as it used to be called. On a commercial network, a program that actually inspired viewers to get off the couch and spend an hour cooking a meal would be a commercial disaster, for it would mean they were turning off the television to do something else.
I've never had a mentor personally of any kind. It feels like, generally, in the writing world or the art world, it's more of a thing in America, because you have writing programs, which we don't have. You have these amazing writers who are teachers. I never did a writing program so I never met a writer until I was published. I guess I can't really explain my compulsion for writing these kind of mentor characters.
Prostitution myths justify the existence of prostitution, promote misinformation about prostitution, and contribute to a social climate that exploits and harms not only prostituted women but all women.
What is the difference between a prostitute and a wife? One is a temporary arrangement, the other is a little more permanent. Marriage is a permanent kind of prostitution; deep down, it is not different. Hence marriage and prostitution have both existed together.
One of the first jobs I did was a commercial, a local commercial on the Chinese channel here in Los Angeles, and the whole thing was in Cantonese, I think, and I didn't have any lines, but I was kind of the focus of the commercial.
When you write comic books and when you are writing for television, you're not writing the end product, you are writing notes for someone else to make the end product essentially. My scripts are just directions for the artist to draw pages and the pages are what is seen. I kind of feel like it's a safety net, you're able to hide behind the art to a certain extent, and in television you're able to hide behind the actors and the production, but with novels, your words are it
Illustrators are usually illustrating something big or commercial if not outright advertising. It's a form of prostitution, but that's cool because we don't have any moral hang-up about it.
...people like to say things like 'all work is prostitution'. Most work is exploitation, but most work is not prostitution. Prostitution is prostitution, a very specific sort of exploitation... And while I am doing literal corrections to flippant turns of phrase, the earth doesn't get raped. It gets mined and poisoned and blown up and depleted, it gets ruined, but it doesn't get raped.
I think the challenge in hour television or half-hour television is that the more it's around, certainly on commercial television, the less time you have to tell stories these days, because the more commercials they're putting in.
Many television weather-women were one abusive parent away from prostitution.
Love is a taste for prostitution. In fact, there is no noble pleasure that cannot be reduced to Prostitution.
I was never writing for commercial success. It's nice that it has come, but it is not important.
Prostitution is not just a service industry, mopping up the overflow of male demand, which always exceeds female supply. Prostitution testifies to the amoral power struggle of sex, which religion has never been able to stop. Prostitutes, pornographers, and their patrons are marauders in the forest of archaic night.
The Bush campaign for re-election has officially begun. They're actually running television commercials. Have you seen any of the television commercials? In one of the commercials, you see George Bush for thirty seconds. In another commercial, you get to see George Bush for sixty seconds - kind of like his stint in the National Guard.
Tampon commercial, detergent commercial, maxi pad commercial, windex commercial - you'd think all women do is clean and bleed.
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