A Quote by Helene Yorke

During 'Bullets Over Broadway,' there was a part where we performed the 'play within the play' facing upstage. It was me, Karen Ziemba, Brooks Ashmanskas, and Marin Mazzie. I don't think we got through it properly a single time.
I was doing a Broadway play, and I was really new to this business. The Broadway play was my first job, literally. The play next door was a musical called Falsettos. The director got hired to direct this Michael J. Fox movie and was looking for a kid who could play brash and salty and mean [in Life With Mikey].
You always want to be the person who doesn't need to be included, but it feels damn good to be among you people. My first Broadway show was Master Class, and I saw Audra McDonald. The one that sealed the deal was Ragtime, with Marin Mazzie. My first big role was with John Lithgow, and he taught me the ropes. Norm Lewis sang the night I met my husband. It makes me feel like I have a family.
Brooks Ashmanskas - rehearsing and putting on a show can be very stressful and exhausting, but Brooks makes every moment a joyride. His influence taught me to never take myself or what I'm doing too seriously.
They wanted me to play third like Brooks so I did play like Brooks - Mel Brooks.
I went to Hollywood to test for Martha Ivers and I thought I was going to play the part that Van Heflin played.But they wanted me to play the part of Barbara Stanwyck's husband, so I played that. Then when I finished the movie, I went back to Broadway and did another flop.
I think directing is part play, part work, not just all work, because I think you always have to play. I think that's ultimately why I got into making movies, is because I love to play.
People have their own interests and they want to play a certain kind of music. People want to play in orchestras. They want to play on Broadway. Those that want to play traditional jazz and have no interests in the ideas of improvisation. So in spit of the fact that there are fifty violin players, you might only narrow it down to ten and within those ten, there might only be three who have the right kind of background and credentials to deal with what you need to deal with. Everybody's got their own special thing that they are after and a lot of times you don't have time to be training people.
I did The Seagull, the Chekhov play, on Broadway, a couple of years ago, and I had done it in London, and I became completely obsessed with the character, Nina, that I played in that. She's an actress. I couldn't find a play after that, that I wanted to do, because I couldn't think of doing anything else. Every part is a disappointment, once you've done that part.
I have not chosen to create a linear story, but a series of different narratives: in the end there are five plays that almost, but don't quite, add up to one play... I start with the story of Candide, being performed as a play within a play, to bring the audience up to speed with the story.
That's always - that's been another dream of mine, to do a Broadway play. An award winning Broadway play.
The only thing I have never done is a Broadway play. I'm not sure I have the discipline necessary to do a Broadway play. I know it holds a fascination for certain actors.
I think of myself as a character actress, and Karen's just one of the characters I've gotten to play, but I feel like Karen takes on so much more weight because the show was on for eight seasons, and it was such a popular show. But you have to move on to telling another story in a different world.
Yeah, it's always big challenge for me to play Marin.
A few years after I graduated, I was doing a play in Boston and was asked to audition for Christophe Durang's play, 'Vonya and Sonia and Masha and Spike,' and I got the part. We were performing in Lincoln Center when, during our weekly meeting with producers, they that said they loved our show and wanted to take us to Broadway.
I did green screen for the first time! I wouldn't like to do a whole movie of green screen, though. You kind of forget the plot a little - like being in a Broadway play and doing it over and over and forgetting your line halfway through.
I will not play just an evil part. In fact, I got offered $7 million several years ago to play the part that Faye Dunaway played in 'Supergirl.' I was kind of insulted. I was impressed with the money, but I said, 'Why are you asking me to play an evil witch? Do I come across as an evil witch to you?'
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