A Quote by Helmut Newton
It's quite true that what I am aiming at, even when I take portraits, is to get a scandalous picture. I would love to be a paparazzo.
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In 15 years or something - I like the idea of just one paparazzo coming out and trying to get a picture, and I just beat the shit out of him. I mean - out of nowhere - when my picture's not even worth...and I've spent all my money, so you can't sue me!
If I was in love with someone, I would get their picture out of the school yearbook and do portraits. If I was curious about sex, I would draw pictures of it. There were no books for me to look at. Then I would go find my father's matches to burn the paper.
And now I have to confess the unpardonable and the scandalous. I am a happy man. And I am going to tell you the secret of my happiness. It is quite simple. I love mankind. I love love. I hate hate. I try to understand and accept.
There is no such thing as a good paparazzo. A good paparazzo, that's a paparazzo who has had his camera broken. In fact, they are bandits, thieves of photography. (Statement after photographs were published showing Jackie Onassis sunbathing nude.)
I am not aiming to be unpopular. I am aiming to get good results, and sometimes you need to stick your elbows out to get those results.
I'm quite a precious painter; my style is a messy fine art - sort of impressionist. I do portraits, I love painting other artists, but recently, I've been playing around with self portraits, putting on different characters.
People ask me often [whether] the Nobel Prize [was] the thing you were aiming for all your life, and I say that would be crazy. Nobody would aim for a Nobel Prize because, if you didn't get it, your whole life would be wasted. What we were aiming at was getting people well, and the satisfaction of that is much greater than any prize you can get.
I am only satisfied insofar as I feel 'Broadway Boogie Woogie' is a definite progress, but even about this picture I am not quite satisfied. There is still too much of the old in it.
Your aim as a photographer is to get a picture of that person that means something. Portraits aren't fantasies; they need to tell a truth.
I would love to continue to model. It just depends on what opportunities I get, of course, I want to always stay true to who I am and make sure in everything I do God is getting the glory. If modeling is one of those things that keeps presenting itself to me, I would love to do it and continue to get more involved.
I feel certain that the largest part of all photographs ever taken or being taken or ever to be taken, is and will continue to be, portraits. This is not only true, it is also necessary. We are not solitary mammals, like the elephant, the whale and the ape. What is most profoundly felt between us, even if hidden, will reappear in our portraits of one another.
Take a picture of you in a mirror or/and get somebody to take a photo of you and look back at it, it's quite a good way to figure out what suits you and looks good.
Quite simply, it is true that I can be a pig! It is not a lie to say that. Sometimes, I feel that I am in the right even when I am wrong.
I paint German artists whom I admire. I paint their pictures, their work as painters, and their portraits too. But oddly enough, each of these portraits ends up as a picture of a woman with blonde hair. I myself have never been able to work out why this happens.
The promise, made when I am in love, to be true to the beloved as long as I live, commits me to being true even if I cease to be in love.
I have a big-picture outlook, I am willing to fall, and I understand it's ok to fall, but I am going to get back up, I may take a step back, but in the end, I am going to take a giant leap forward.
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