A Quote by Helmut Newton

In the photographs themselves there's a definite contrast between the figures and the location - I like that kind of California backyard look; clapboard houses, staircases outdoors.
To keep people interested, your presentation needs to have contrast. As humans we process contrast. We are assessing "what's the same," "what's different," "what's like me," "what's not like me." Humans stay interested if they can process contrast. Varying types of contrast can be used. With content, you can contrast between what is and what could be or between your perspective and alternative perspectives.
They have a book of locations, and we would do a story about the Sahara Desert for instance, and in the California book you would find a comparable location, to match that location in California.
We came from a neighborhood that was kind of older, so we didn't have that many kids that would go out and play. We moved into a neighborhood that has, like, 50 kids in it. There are 12 houses where we kind of all share a big backyard, and we're all circled in there. If one kid goes out there, they all go out and play.
I'm sort of an old man, always tinkering in the backyard. Since I grew up playing outdoors, I still like to plant things, sit out on the deck, or go hiking.
Photographers must learn not to be ashamed to have their photographs look like photographs.
It was easy to present figures demonstrating the contrast between lead work in the United States under conditions of neglect and ignorance, and comparable work in England and Germany, under intelligent control.
I have two houses in California, and they're both within a couple of minutes from the beach. So, I definitely feel at home in California and by the ocean.
The difference between how you look and how you see yourself is enough to kill most people. And maybe the reason vampires don’t die is because they can never see themselves in photographs or mirrors.
Making love to a woman is like buying real estate: location, location, location.
The difference between a child's toy and an adult toy is: location, location, location.
Once I tried to make a standardization of staircases. Probably that is one of the oldest of the standardizations. Of course, we design new staircase steps every day in connection with all our houses, but a standardized step depends on the height of the buildings and on all kinds of things.
The California tract houses are like the mundane meeting the mystical. Sometimes if you're driving at twilight, and you see those houses, and they're starting to light up, there's something so beautiful, so ethereal about the fact that they're all pretty similar, set against this desert landscape and the light just hitting them a certain way.
The writer loves the fog as it pours in; he loves the sun when the fog pours out. The rest of California is Beach Boys country, but San Francisco has that moody thing going on, those blues notes wrapped in moisture, an atmosphere that tempers California dreaming and makes life more real. The fog brings reality, but it is still a California reality, one spent outdoors the whole year round.
I believe in the resonance and staying power of quiet photographs. These photographs required a certain seeing, but few special techniques, and no tricks. Something though was hard. It was hard being between photographs and not knowing when or how another image would reveal itself.
I don't know that there are haunted houses. I know that there are dark staircases and haunted people.
One of my weekend hobbies is to go look at old houses when there are open houses around here. Just to go look at the architecture. And you can see how many houses were built around 1977, the year where everyone said, "Let's put in these aluminum windows instead of beautiful hand-made wood ones."
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