A Quote by Helmut Newton

My job as a portrait photographer is to seduce, amuse and entertain. — © Helmut Newton
My job as a portrait photographer is to seduce, amuse and entertain.
It is a serious job being a portrait photographer, which is how I saw myself.
None of us is born with the right face. It’s a tough job being a portrait photographer.
I've always had a healthy disregard for authority - it allows me to do my job as a portrait photographer and not as someone who is playing the power game.
Being a digital photographer I'm in awe of the older generation of photographers who created all those iconic cinematic style images on film, such as Man Ray's portrait of the photographer Lee Miller.
So many people dislike themselves so thoroughly that they never see any reproduction of themselves that suits. None of us is born with the right face. It’s a tough job being a portrait photographer.
I do have my own personal convictions and values, and I live by those. But as an artist, as a portrait photographer, my job is to tell the truth and to capture someone's spirit on a certain day. And it's never the whole truth; it's the truth I experience in a very intense and intimate fashion.
A newspaper has three things to do. One is to amuse, another is to entertain and the rest is to mislead.
When people call me a photographer, I always feel like something of a charlatan—at least in Japanese. The word shashin, for photograph, combines the characters sha, meaning to reflect or copy, and shin, meaning truth, hence the photographer seems to entertain grand delusions of portraying truth.
I grew up reading not-serious literature, like comic books and pulp novels, so my instinct is to amuse the reader and entertain.
It's just thinking of funny things that will amuse us and entertain us and we'll come and do it.
I'm a portrait photographer that's used to shooting celebrities, and I usually need time and all kinds of lights and a studio to set up my shots.
There is a myth that the portrait photographer is supposed to make the subject relax, and that's the real person. But I'm interested in whatever is going on. And I'm not that comfortable myself.
The way someone who's being photographed presents himself to the camera, and the effect of the photographer's response on that presence, is what the making of a portrait is all about.
I think if you don't love people and aren't fascinated by them, you'll never succeed as a portrait photographer, because your pictures will look cold.
It should be the aim of every photographer to make a single exposure that shows everything about the subject. I have been told that my portrait of Churchill is an example of this.
I've jokingly painted some of my favorite collectors as black men, so there's a really great portrait of David LaChapelle, the photographer - my version of him - that's in his collection.
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