A Quote by Helmut Newton
I was lucky to have my wife as the art director, and it turned out to be quite something - a great success. I'm very proud of it.
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Roles came to me. I was very, very lucky in that respect. Great directors, great writers, great producers - they saw something in me that they wanted for their picture or their play or whatever it was, whether it was Edward Albee or whether it was - or Peter Hall, directors. They would come to me, thank God. I was lucky. Lucky, lucky, lucky.
To be a great director, what does it mean exactly? It's not only about a great director, but also about being able to rely on the very special chemistry that goes between them. It not only has to be a great director, but the great director has to make his relationship to you, the actor, very special.
There's a paraphrase about Orson Welles saying: "Great films are made by great directors and the rest are made by everyone else." I've been very lucky... before I start insulting the profession of directing, but I think a good director is everything and a bad director really is nothing at all.
At school, I decided I wanted to be a director and then I went out and spent the rest of my adult life trying to be a director. It was really clear to me. So in that sense I was very lucky.
Being proud of something is a very tricky word and I sometimes think it has a bad connotation. I don't feel proud, I feel grateful. I'm lucky.
When we first made this whole idea this was going to be calling card film [Moon] and it was going to give the opportunity to make my first feature film. But it turned out a lot better, we just couldn't stop ourselves from going into it, and we are very proud that it turned into something that people wanted to see.
Doing my art came out of something very solitary and something that I had no intention of showing anybody, and yet once people saw pieces in my house, it became really clear that there was a great demand for my art.
When I left the theatre and turned to writing, one of the big pulls was that, unlike the theatre, I didn't have to wait to be hired before I could do my art. That was huge. But you still have to figure out how to support your habit; it's rare and lucky when art pays the bills.
Congratulation s to my friends and all the team of famous the Dance of the Vampires! As the Chagal of the German production, I'm so proud of you. The performance of Le Bal des Vampires - Le Musical was amazing and well done. Also bravo to director Roman Pola?ski. A huge success of the most successful and powerful director in the world. Great to be in the family of Chagal's of #? TdV 's!
Despite the odds we fought, 'Sanam Re' has turned out very well and I am very proud of my crew.
I went off and did 'Space,' which turned out very well, and when the series was picked up, my options were to stay with 'Space' as a producer/director or go to 'The X-Files' as a producer/director.
Any director who comes into a revival owes a great deal to the original director. If I know the backbone works, it gives me, as a director, much more freedom to bring something new to it or try something different.
I was very proud to be at 'The Wall Street Journal'. I have nothing bad to say about it. I had a great run there. In what turned out to be the final years of my tenure there, 'AllThingsD' occupied me more and more and was much more fun.
A lot of my success comes from black music. It's something I'm very proud of.
I will say from the outset, I think if you're great, you're great from the very beginning. And because I do think it is innate and I do think it is a gift you just have, and I don't think you can - you can hone the skills of a director, but sadly, I do think that you are born a great director. I think it's just in you and it's something that is deep in you. But, I find it can be difficult working with first-time directors, but it's also moving.
Dad was certainly a free spirit and had his own ways. He was very proud of my golf achievements but more proud of the person I've turned into. He brought me up to lead a very balanced life.
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